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Archive for the ‘Movie Reviews’ Category
Friday, June 1st, 2007
From inside the immoral madness of a killer's head comes an intensely dark drama that explores how a murderer can break the mold of what society imagines this type of person to be.
Mr. Brooks (Kevin Costner) is a charismatic neighbor, the owner of Brooks Box Company, and a responsible family man devoted to his wife Emma (Marg Helgenberger) and daughter Jane (Danielle Panabaker). He receives "businessman of the year awards" and is an all around fantastic guy — or is he a twisted serial killer? Well, the answer is yes to all the above, because he leads a double life. He is as successful in business as he is gruesome in crime. This sinister side of him appears as his alter ego, an imaginary nameless id played by William Hurt who speaks to him and inspires him to kill. What's so cool about William Hurt's part is that he characterizes the little devil we all envision on our shoulder telling us to do something bad.
Of course, as the killings continue these murders can't go on without the police and media taking notice. They label this madman the Thumbprint Killer because he likes to leave his victims' thumbprints as evidence. Detective Tracy Atwood (Demi Moore) is hot on his trail, but seems to come up short. Mr. Brooks is as clever as he is deadly. Demi Moore plays a rich woman who loves her job, but doesn't need her job. Her problem is a relentless husband seeking alimony. She pulls off a good hard-nosed cop in this film, but as another escaped criminal known as Meeks, The Hangman Killer (Matt Schulze), joins the plot, Detective Atwood must track him down as well, so it dilutes the intensity of the hunt for The Thumbprint Killer/Mr. Brooks and gives action scenes to Det. Atwood which I found useless. Another small subplot enters the movie when we find out that Janie Brooks suffers from the same killing illness as her daddy. As a college student, she solves problems with hatchet murders.
The film starts off with a great tension, but dwindles down to a complicated farce. William Hurt was brilliant as the sinister conscience of Mr. Brooks and Kevin Costner was magnificent as the cool and complex villian you learn to like.
Directed by: Bruce A. Evans Running time: 120 minutes Release date: June 1, 2007 Genre: Crime, Drama and Thriller Distributor: MGM MPAA Rating: R


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Saturday, May 26th, 2007
In 2003, I tentatively bought a cinema ticket for a Disney pirate film based on a theme-park ride which had never failed to underwhelm me as a child. I was sceptical to say the least. Not to mention that the last pirate film I’d seen had Geena Davis in it and was… shite. I was never so glad to have been proven wrong. Pirates of the Caribbean: Curse of the Black Pearl was pure, popcorn munching blockbuster gold and it was everything that a good summer movie should be.
And now we’re on sequel number 2 and that summer of 2003 is starting to look as golden as the summer of 78 must look to hippies and Bryan Adams. At World’s End is plagued by similar problems to Dead Man’s Chest. Orlando Bloom is again at his hammiest, but is amazingly outdone by Keira Knightley’s pathetic performance as the ‘babe with attitude.’ She’s neither convincing as a babe, nor a pirate, leaving her to merely float through the film in an unfortunately beefed-up role.
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Friday, May 25th, 2007
From supporting roles in Oliver Stone’s “Platoon” and the various films with Tim Burton, Johnny Depp has always proven himself a good actor, but without a doubt, the Pirates franchise has launched him into superstar status. It is rather sad then, to see that Depp appears to be out of energy for Pirates of the Caribbean: At World’s End , the third entry into the franchise, which filmed back to back with last year’s Dead Man’s Chest. There are points in this film where something supernatural has to happen because it is a requirement, and that’s alright, so long as the film itself is a stack of fun. World’s End only gets mildly fun in the last half hour of two and a half hours, with the energy coming not from Depp or Orlando Bloom, but from Geoffery Rush and Keira Knightley, the latter who not only has nice costume changes but also gets more of the swashbuckling action than most of the guys. (more…)
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Wednesday, May 23rd, 2007
Some political films are naturally provocative, like Michael Moore’s Fahrenheit 9/11. Death of a President, however, is unnaturally provocative, where every frame of film feels forced. Sure, curiosity peaks when a film fictionalizes the assassination of President Bush. Yet after five minutes into this film, curious viewers will realize that the whole thing is a publicity stunt and nothing more. The greatest sin that Death of a President makes, isn’t the distasteful content, but how painfully boring it is. (more…)
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Tuesday, May 22nd, 2007
Lolo’s Tapas restaurant stands in a suburb of Barcelona. In it and around it the lives of several local residents (of the human and animal variety) mix, mingle, converge and separate. With their debut film, directors José Corbacho and Juan Cruz won nine awards at several Spanish and international festivals. (more…)
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Monday, May 21st, 2007
Dave Corkery
Here’s a brief re-enactment of the conventional serial-killer-thriller that we, the audience have become accustomed to:
Act 1: Tough as nails, world-weary cop Sam ‘QuickFire’ McHardBalls is teamed up with a no-good-rookie sidekick, Johnny ‘Cannon Fodder’ McOptimist. When a series of grisly murders turn up on their desk, they realise that there’s some sick mutha out there with a taste for people-blood. McHardBalls at this point may utter; ‘I’m getting too old for this shit.’
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Saturday, May 19th, 2007
Adolf Hitler was born on April 20 1889, so 20-04-1889. 2 + 0 + 0 + 4 + 1 + 8 + 8 + 9 Makes 32. On September 1, 1939 Germany invaded Poland and therefore set in motion World War II. 1 + 9 + 1 + 9 + 3 + 9 Also makes 32. An adult human being has 32 permanent teeth. In Judaism there are 32 Kabbalist Paths of Wisdom. It was OJ Simpson’s uniform number and the supposed age of Jesus Christ when he was crucified. 32 Is also the occult opposite number of 23, which brings us to the prove (courtesy of Wikipedia) that this disastrous disaster movie starring Jim Carrey and Virginia Madsen might as well been called The Number 32, if it wasn’t for the fact the number 23 is the centre of a Discordian belief that links the number to several tragic or shocking events or facts. (more…)
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Friday, May 18th, 2007
There are many people who refer to their pet dogs and cats as “the other children”, and with good reason. We give our pets names, we give them shelter, feed them, and as a result, the animals adore us as much as we adore them. They also give us responsibility, and for others, they keep us company. They are, in essence, a part of the family. When tragedy strikes, there are those who are separated from the family dog or cat, as human lives are more favored. However, during and after the events of Hurricane Katrina, the treatment of some of the left behind pets is called into question by filmmaker Tom McPhee in this heartbreaking documentary.
(more…)
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Friday, May 18th, 2007
Fans worldwide literally begged David Lynch on their knees to finally release the second season of his cult hit show Twin Peaks. The first season, released on DVD in 2001, ended with the shooting of agent Dale Cooper. Copyright issues and other legal mumbo-jumbo caused the six year delay. It is such a delight to finally see the second season of what many perceive to be the best TV show ever. Last October, when I was in New York City at a special screening of INLAND EMPIRE in attendance of the director he announced the second season and they were rounding up the extras and featurettes (that eventuallty turn out rather disappointing). Warning: some minor spoilers ahead. (more…)
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Friday, May 18th, 2007
By Tom Fitzpatrick
Films that make you think while trying to keep track of dialogue at the same time can be one of two things: frustrating or fulfilling. I loved the premise of Stranger than Fiction. I loved the idea of a character in a film realising he is a character in a novel and that his life is being both narrated and created by the same god, an author who believes in fate and yet controls the destiny of the character she has created.
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