![]() | December Boys - Trailer Based on the classic Michael Noonan novel, “December Boys” is the story of four orphan teenagers growing up behind the closed doors of a Catholic convent in outback Australia during the 1960s. As the boys watch younger kids get adopted by loving families, they begin to realize that as they get older, their turn may never come. When the convent sends the boys to visit the seaside one summer, they finally have something to look forward to. Directed by: Rod Hardy Starring: Daniel Radcliffe, Christian Byers, Lee Cormie, James Fraser |
Archive for July, 2007
December Boys – Trailer
Wednesday, July 18th, 2007WriterAction – Update
Tuesday, July 17th, 2007Just a quick update. In the wake of my essay on WriterAction, one of the admins, Brian Horiuchi, has resigned as an admin. If he wants to comment here as to why, I’d welcome that.
Sadly, Brian was one of the few (and perhaps the only?) admin who really got it over there, and I think he’s left for that very reason. He was outgunned.
Looks like things are gonna get worse there before they get better.
Also, I’ve been told that I’m pretty much considered Satan by the remaining admins. Naturally, I find this comforting.
August In Africa
Tuesday, July 17th, 2007
Rachel was wrong…John August has some terrific video and a link to photos from his recent trip to Malawi.
He mentions malaria on his blog. Malaria, a disease that had been impressively curtailed decades ago, has returned with a vengeance, killing millions of children.
And why has it returned?
My opinion? DDT.
Specifically, the horrendously stupid ban on DDT.
I know, I know. We’ve all been taught that DDT is the devil’s chemical, spreading death wherever it goes. Unfortunately, the opposite is true.
To read how DDT came to be unfairly villified…and the disastrous result of that politicization…check out this excellent essay in the New York Times.
You can read more about why American and international aid organization should support the use of DDT at http://www.fightingmalaria.org/
Ace Ventura 3 in the making
Tuesday, July 17th, 2007
But don’t hold your breath; it’s called Ace Ventura Junior and follows the adventures of the pet detective’s young son, played by Josh Flitter (left). For those unfamiliar with Flitter’s work, he’s soon to appear in Licence to Wed and Nancy Drew.
David M. Evans is directing and newcomers Justin and Jason Heimberg writing. No word on whether Jim Carrey will make an appearance, but I’d say it’s about as likely as Marlon Brando returning from the dead for ‘The Godfather Junior.’
Hats off to Morgan Creek for taking the ‘Son of the Mask’ route and defecating all over a retro fan-favourite with a childish piece of crud a million miles away from a good idea. Plus, what’s the point in making kids movies based on films that were out years before they were born and have long left the public consciousness. Don’t they know that kids only want their Harry Potter or their Pokémon or whatever’s ‘hip’ or ‘fresh’ at the time?
Source: Variety
The Guardian Asks: Is ‘The Simpsons’ Character Apu Racist?
Tuesday, July 17th, 2007Filed under: Animation, Comedy, Celebrities and Controversy, Family Films, Politics, Comic/Superhero/Geek
Never a stranger to taking controversial stances, The Guardian is stirring up some heated debate by accusing the Simpsons character Apu Nahasapeemapetilon of being a "crude racist stereotype." Writer Manish Vij says "Culture-vulture Simpsons fans have felled entire forests in arguing that he's a parody of a stereotype, rather than the stereotype itself. But the plain fact is that most viewers are laughing at Apu, not with him. They're enjoying the simple pleasures of a funny, singsong brown man with a slippery grasp of English." Vij takes major issue with 7-Eleven's recent Kwik-E-Mart makeover promotion (which Erik told you about here), as well. 7-Eleven employees at the converted convenience stores are, as Vij puts it, "being asked to don Kwik-E-Mart costumes with Apu nametags, come to work under banners mocking their ethnicity, and bid customers goodbye with the phrase, 'Thank you, come again!'" He closes the article by saying, "Today, we expect American companies to promote racial tolerance. Yet like an outbreak of a long-dormant virus, 7-Eleven is spending millions of dollars to push a crude ethnic stereotype well past its sell-by date. It's tin-eared and unconscionable. The company should cancel Apu and issue an apology."
Now, I could definitely argue that The Simpsons is, and always has been, satire. It makes fun of anything and everything, and though it's certainly poked fun at race relations over the years, I've never seen anything on the show I'd consider racist. The Apu character talks with an exaggerated accent, but it's an animated comedy show -- everybody does. And it's certainly an equal opportunity offender. Everyone on the program is a stereotype, and those stereotypes are frequently addressed, exposed, disproved, and mocked. Stereotypes exist on The Simpsons to provoke the viewer, as all good comedy should. Fat Tony could offend sensitive Italians, Groundskeeper Willie could offend sensitive Scotsmen, Bumblebee Man could offend sensitive Hispanics, and so on. But I hardly think the intent of The Simpsons' writing staff is to spew hate.
I have to disagree with Vij about Apu being crude and racist. If anything, he's one of the more intelligent and positive presences in Springfield, and I find the author's comparisons of Apu to "minstrel shows" and "Jim Crow America" to be really pushing it. But the 7-Eleven thing is sort of a grey area for me. I haven't visited one of the revamped stores, so I don't know how the "Apu" issue is being handled, but it certainly sounds like potentially dangerous turf. What do you think? Is Mr. Nahasapeemapetilon an offensive racist caricature? Is this a serious issue or much Apu about nothing?
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Photos from Malawi
Tuesday, July 17th, 2007
I have all my photos from my visit to Mulanje, Malawi up on Flickr for the world to see. You can check them out here.
You may want to use the “View as slideshow” link. If you do, you’ll notice a floating lower-case “i” over the center of the main photo. (You may need to mouse over it to make it appear.) Click it, and you can see all of the captions.
Malawi is a land-locked country in southern Africa. A former British colony, it is now one of the poorest nations on Earth. It’s been especially hard-hit by HIV/AIDS, losing a huge portion of its 20 to 40-year olds. Young parents, especially. It’s now a nation of children and old people.
FOMO (Friends of Mulanje Orphans) runs 10 centers, providing services to 4,000 orphans. Ryan and I visited to help repair and repaint the Gulumba Centre, and to meet the kids who are doing remarkably well in remarkably difficult circumstances.
We also visited medical clinics, in the hopes of establishing a presence for U.S. Doctors for Africa. Treatable diseases like malaria are a huge threat, and the lack of medicine and infrastructure is crippling.
For all its challenges, Malawi is incredibly beautiful, as are its people. It’s like an island nation without an ocean.
So what now? I’m still figuring that out.
Obviously, FOMO will continue to need financial support, and I can help with that.1 But to a larger degree, Malawi really needs to be put on the map of human awareness. There’s no hot story happening in Malawi: no civil war, no genocide, no pretty blonde tourist going missing. The country is isolated and easy to overlook. And its citizens are so invariably polite, it’s hard to imagine them demanding their fair share of the world’s attention.
But I think there are unique opportunities in Malawi. It’s stable and English-speaking. It’s infrastructure is lacking — its roads in particular are a mess — but the lack of embedded choices can be a blessing. If there’s any place perfect for leapfrogging to the Next Better Idea, it’s Malawi.2
The main reason I wanted to blog about the trip is that I’ve always been kind of uncomfortable-slash-terrified about the developing world and global poverty. And I suspect most readers are, too. It’s overwhelmingly macro.
But when you look at it in the micro scale, it’s not nearly so intimidating. I didn’t leave with any big answers, but I now know a bit about keeping kids fed. And how to install a corrugated metal roof. (You nail through the peaks, not the valleys, with capped nails.) I spent most of my time painting walls, and watching. Learning.
Obviously, not everyone is in a place financially to book a ticket to the other side of the world and just help out. (That’s what Ryan and I basically did.) But a lot of my readers are young — in college, or just after that — which is a perfect time to head out and explore the world. If any part of you is thinking about doing that, trust your instincts.3
- As can you, obviously. It’s a registered U.K. charity. ↩
- The land-line phones (and with it, the internet) in the entire Mulanje region went out for three days, yet I got four bars on my cell phone almost everywhere. Wireless internet in the U.S. is handy. Wireless internet in Malawi seems essential. ↩
- Beyond university-affiliated programs, a quick Google search will reveal dozens of programs that specialize in a new kind of “voluntourism.” We considered programs in five African countries and South America before picking FOMO. ↩
September Dawn – Trailer
Tuesday, July 17th, 2007![]() | September Dawn - Trailer ”September Dawn” graphically dramatizes the controversial real-life massacre of 120 men, women and children traveling through Utah in the nineteenth century. The Mountain Meadows Massacre, as it is known, occurred on September 11, 1857, and was the first known act of religious terrorism on U.S. soil. A group of Mormons, many disguised as Paiute Indians, slaughtered all but 17 small children on a wagon train on its way to California. One man, the adopted son of Mormon leader Brigham Young, was eventually executed for the crime20 years after the event. Woven into this real-life background is the Romeo and Juliet story of a young Mormon man who falls in love with a beautiful girl on the wagon train. Directed by: Christopher Cain Starring: Jon Voight, Trent Ford, Tamara Hope, Jon Gries, Taylor Handley |
Captivity (2007)
Monday, July 16th, 2007
Recent horror spectacles such as Saw and Hostel grew into popular franchises because they succeeded in combining their excessive illustrations of torture with a halfway decent story. But such is not the case for Roland Joffé’s Captivity, a film that completely ignores the importance of plot and suspense and thus fails to provide anything that would keep its audience from fleeing the auditorium. (more…)
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- chokingonpopcorn
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- Reviews
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Proof (2005)
Monday, July 16th, 2007
I’m not sure what it is about Gwyneth Paltrow, but I’ve just never really been able to take her seriously before. I found her over-the-top in Shakespeare in Love, and extremely irritating in Emma, although admittedly there, that was part and parcel of the character of Emma Woodhouse. For me, she just doesn’t have that star quality that makes me want to go see her films. Proof however, has made me reconsider my viewpoint, as she excels in the role of grieving daughter Katherine, who is having trouble coming to terms with the possibility that she may have inherited some of her dead father’s madness, as well as some of his genius.
(more…)
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King Harry
Monday, July 16th, 2007
"Harry Potter and the Order of the Phoenix" ruled the box office starting Wednesday and carrying all the way through Sunday. No surprise there, especially when the movie's playing on OVER 9,000 SCREENS. That's the third-widest opening of all time after the most recent "Spider-Man" and "Pirates." Fueling the mania was the buzz around the imminent drop of J.K. Rowling's final novel in the series.
Here are the "Potter" numbers: $44.2 million its opening day, a new record for a Wednesday. $140 million in tickets sold from Wednesday through Sunday, the sixth best five-day start. The weekend grosses were "small" -- $77 million -- but only because the hardcore mouthbreathers had already gone on Wednesday and Thursday. Factor in another $190 million overseas, and "Phoenix" has already hauled in a third of a billion dollars. Wouldn't it be nice if Warner Bros. put some of that to, I dunno, building some new schools or funding alternate energy programs? Oops, I forgot, under Hollywood accounting practices, the movie will never get out of the red.)
The only other new release, crummy horror movie "Captivity," barely showed its face, opening in a scant 1,000 theaters and raking in $1.5 million, doubtless from audiences who were shut out of "Harry Potter" screenings. "Transformers" and "Ratatouille" held their own passably. The excellent Don Cheadle movie "Talk to Me" did nicely in a limited 33-theater rollout, picking up an $11K per-theater-average.
More charts and analysis from Box Office Mojo and Leonard Klady.

