With all eyes on yesterday’s primaries, the announcement of the big, bi-coastal WGA membership meeting this Saturday was easy to overlook. But it’s certainly a welcome development. It’s widely expected that the WGA boards will discuss the status of the agreement with the AMPTP, and outline the steps needed to get back to work.

I anticipate some uncomfortable questions and awkward moments. That’s almost a given at a meeting with 1,000+ people and open microphones. But I can plead for a little decorum. Specifically:

• Dissent does not equal treason. You can disagree with anyone in the room or on the stage, but that doesn’t mean they’re a villain or a sell-out.
• If someone else asks your question, or makes your point, sit down. Yes, you waited in line 20 minutes to get to the mic. But let someone else say something new.
• The future takes precedence over the past. There are a lot of histories to be written about the strike, including alternate scenarios. These make interesting message-board discussions, but don’t play well as one-sided polemics.

In Los Angeles, the meeting is at the Shrine Auditorium — often home to awards shows, but also the stage where I got my USC diploma. I’m planning on working the phone banks at the WGA mothership on Friday, so if you’re a member, there’s a chance I may be calling you to encourage you to come to the pow-wow.

Much of yesterday’s shooting on the web pilot was constrained to a narrow kitchen, which reminded me again why traditional TV comedies have unrealistically-sized rooms. Another challenge: this show has a lot more characters in a scene than The Nines did, which inevitably slows down the work as you connect eye-lines and coverage. But it went smoothly, and we got our last shots just as the sun went down.

Today, we have a late call — 11:30 a.m. — and wrap production after dark.