Archive for the ‘Movie News’ Category
eGames Unveils Mystery Masterpiece(TM): The Moonstone
Monday, October 4th, 2010Box Office top 10
Monday, October 4th, 2010-
A social worker learns that there is more than meets the eye to a girl she saved from abuse.
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The story of the founding of Facebook and the lawsuits that followed in its wake.
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A misfit boy (Kodi Smit-McPhee) befriends the strange new girl (Chloe Moretz) who lives next door.
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Original: Movies.com Top 10 Box Office
A Facebook in the crowd
Friday, October 1st, 2010Make no mistake. Social media like Facebook are a bigger threat to the movie box office than anything since the arrival of television six decades ago. Ask a 14-year-old whether he or she would rather go to a movie or be on Facebook, and chances are the question won't even have been heard since he or she is actually already on Facebook and too engrossed in it to pay attention to what you're saying. Going to a movie used to be one of the best ways to escape parents. Now escape is just a mouse click away. It's not that moviegoing has lost its appeal to teens or is likely to. It's that moviegoing as a habit threatens to. Video games were bad enough. But Hollywood's been on to them at least since "Tron" ("Tron: Legacy" is coming out in December). More generally, movies have become bigger-screen versions of video games, courtesy of pinball editing, Krakatoa-scale explosions, and lowest common denominator character motivation.
ActionView International, Inc. Announces Additional Fights Scheduled for the October 16th World Championship Full Contact Event at The Rail Event Center
Friday, October 1st, 2010DISH No Longer Carrying MSG & MSG Plus Following Expiration of Agreement at Midnight Last Night
Friday, October 1st, 2010IMAX and Regal Entertainment Group(R) Expand Joint Venture Relationship for up to 25 New IMAX(R) Theatres
Friday, October 1st, 2010Tony Curtis 1925 – 2010
Thursday, September 30th, 2010
One of the best, dirtiest movies ever made about the intersection of the media business, gossip, and the human soul, 1957's "Sweet Smell of Success" also features the Tony Curtis performance to watch if you ever doubted the man could act. Playing Sidney Falco, the two-bit press agent with the collapsible spine, the 32-year-old Curtis sleazes his way up and down Broadway in glorious black and white, firing screenwriter Clifford Odets' lethal dialogue like hollow-point bullets. Burt Lancaster's powerful gossip columnist calls Sidney "a cookie full of arsenic," and the movie's great irony is that the character poisons only himself. But everything about this performance moves with the restless, aggressive chutzpah it took Bernie Schwartz from the Bronx to become Mr. Tony Curtis of Hollywood. In the words of Falco himself, the star went about his career "avidly, avidly."
It's funny: When I heard this morning that Curtis had passed away, at 85, of a heart attack, those two words were the first thing that popped into my head. The Globe's Mark Feeney, in his obituary for Curtis, references the same line of dialogue and for the same reasons: It goes to the enthusiastic, sardonic playfulness of the man, and to the kind of self-starting urban energy that makes a slum kid like Falco or Curtis choose big words with care. The star was never truly taken seriously by Hollywood or the media, in part because he was so pretty when he started (Exhibit A above) and because, in Feeney's wonderful phrasing, he had a voice "like a man with a head cold sipping an egg cream." We never let him forget he was Bernie Schwartz, but on a lot of levels that was okay, since he never pretended he was anyone else.
Amico Games Initiates Strategies to Maximize Valuation of U.S. Listing
Thursday, September 30th, 2010Arthur Penn, 1922-2010
Wednesday, September 29th, 2010Arthur Penn, who died yesterday of congestive heart failure at his Upper West Side apartment in New York, may have had the strangest career arc of any major Hollywood director. That's Penn, standing on the right, on the set of "Bonnie and Clyde," with Warren Beatty and Faye Dunaway.
For the better part of a decade, from "Bonnie and Clyde" (1967) to "The Missouri Breaks" (1976), he was pretty much it among American directors until Francis Ford Coppola and Martin Scorsese came along. There was a special excitement attached to Penn's name. And why shouldn't there have been? "Bonnie and Clyde" was the most revolutionary movie made in this country since "Citizen Kane." No movie since has matched its impact. Its blend of humor and tragedy, its frank yet poeticized presentation of violence, the across-the-board excellence of its acting, even the hilarious yet pitch-perfect way it used Flatt and Scruggs' "Foggy Mountain Breakdown": All these elements and more combined to blow open the doors of Hollywood and usher in its Silver Age. There's lots of credit to go around (Beatty, who produced as well as starred; Robert Benton and David Newman's script; Robert Towne's script-doctoring; Dede Allen's gangbusters editing; the cast, too, of course). But it was Arthur Penn's movie.