OK, I’ll keep this short : what a load of shite! Good God, it’s been a while since I watched such a crap film. Annabelle (Erin Kelly), the seventeen-year-old daughter of a senator, is packed off to a Catholic girl’s boarding school after being expelled from her two previous schools. Pretty girls in uniform, stuck on campus and feeling rebellious is a promising arena for some forbidden love and steamy sex scenes, but boy did they f*ck this one up.
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ADVISORY, Jan. 22, 2008 (PRIME NEWSWIRE) --

LOS ANGELES, Jan. 22, 2008 (PRIME NEWSWIRE) -- DGA President Michael Apted announced today that Carl Reiner will return as host for the 60th Annual Directors Guild of America Awards. This year will mark the 21st time Reiner has hosted the DGA Awards, which will take place on Saturday, January 26, 2008 at the Hyatt Regency Century Plaza in Los Angeles.

There may or may not be an Oscars show, but there will be blood. Paul Thomas Anderson?s not-that-bloody, critically adored film about the self-destruction of a California oil magnate and ?No Country for Old Men,? Joel and Ethan Coen?s grisly chase thriller, led this morning?s Academy Award nominations with eight apiece, including one each for best picture.

Their fellow nominees are equally swept up in bad news or tragedy. ?Michael Clayton,? Tony Gilroy?s story of a serious corruption involving a New York law firm, was right behind ?There Will Be Blood? and ?No Country? with seven nominations. ?Atonement,? a romantic wartime epic about nosiness, gossip, and remorse, had six. And ?Juno,? America?s favorite teen-pregnancy comedy, got four, including a surprising nod for its director, Jason Reitman.

Reitman joins Anderson, the Coens, Gilroy, and Julian Schnabel, for ?The Diving Bell and the Butterfly,? which along with ?Ratatouille,? ?Into the Wild,? and ?American Gangster,? didn?t make the best-picture cut. Joe Wright, who made ?Atonement,? was left off the directing list (maybe that five-minute tracking shot bugged the Academy?s directors branch, too). So was Sean Penn for ?Into the Wild,? which got just two nominations, one for Hal Holbrook?s performance and another for editing.

Before a foxy Kathy Bates and a tired-looking Sid Ganis made the televised announcements today, ?Atonement? was considered a front-runner. But with no directing nomination, the picture race is slightly more open. Neither of the movie?s leads, James McAvoy and Keira Knightley, was nominated.

That?s too bad. McAvoy?s miserable soldier would have fit right in with the five actual best-actor nominees since none one of the men they played had much to smile about. George Clooney was a stressed-out lawyer in ?Michael Clayton.? Daniel Day-Lewis was a mad oil baron in ?There Will Be Blood.? Johnny Depp played an undead, heart-sick, throat-slashing serial killer in ?Sweeney Todd: The Demon Barber of Fleet Street.? Viggo Mortensen was a sour Russian mobster in ?Eastern Promises.? And Tommy Lee Jones, the morning?s happiest surprise, was the stoic military dad looking for his AWOL son in ?In the Valley of Elah.? The Academy?s acting branch clearly didn?t know what to do with either of Philip Seymour Hoffman?s blazing performances in ?The Savages? and ?Before the Devil Knows You?re Dead,? nominating him instead in the supporting actor category for ?Charlie Wilson?s War.?

In the best actress category, it?s a bunch of indomitable women ? Cate Blanchett as the Virgin Queen in ?Elizabeth: the Golden Age,? Julie Christie living with Alzheimer?s in ?Away from Her,? Marion Cotillard as Edith Piaf in ?La Vie en Rose,? and Laura Linney playing a slacking intellectual narcissist in ?The Savages? ? squaring off against one sardonic 19-year-old. That would be Ellen Page as a teen mother-to-be in ?Juno.? Notably absent are Angelina Jolie for playing Marianne Pearl in ?A Mighty Heart? and Amy Adams for playing a fairy-tale princess stranded in Manhattan in ?Enchanted.?

Joining Hoffman?s porcine CIA agent and Holbrook?s teary codger in the supporting-actor category are Casey Affleck as a proto-celebrity stalker in ?The Assassination of Jesse James by the Coward Robert Ford,? Javier Bardem as the killer with the kooky haircut in ?No Country for Old Men,? and Tom Wilkinson as a high-powered who believes himself Shiva the Goddess of Death in ?Michael Clayton.?

Blanchett appears again, more expectedly, in the supporting actress category for playing a pseudo-Bob Dylan in Todd Haynes?s ?I?m Not There.? Her fellow nominees are 13-year-old Saorsie Ronan, the budding playwright with the destructive imagination in ?Atonement,? Amy Ryan as the mother of the year in ?Gone Baby Gone, Tilda Swinton as a high-strung attorney in ?Michael Clayton,? and, holy of holies, Ruby Dee as Denzel Washington?s momma (and the only person with any common sense) in ?American Gangster.?

The two screenwriting categories are remarkable because they include four women (it shouldn?t have to be noteworthy, but it is). For adapted screenplay, the nominees include actress-director Sarah Polley for ?Away from Her." She joins Paul Thomas Anderson, the Coen brothers, Christopher Hampton for ?Atonement,? and Ronald Harwood for ?The Diving Bell and the Butterfly.? For original screenplay, Diablo Cody (?Juno?), Tamara Jenkins (?The Savages?), and Nancy Oliver (?Lars and the Real Girl?) are up against Brad Bird (?Ratatouille?) and Tony Gilroy.

The documentary feature category continues to remain credible after a few adjustments in the nominating process. This five films on this year?s slate include: Charles Ferguson?s unhappy Iraq-invasion assessment, ?No End in Sight?; Richard E. Robbins?s ?Operation Homecoming: Writing the Wartime Experience,? recollections of soldiers who?ve fought in Afghanistan and Iraq; Michael Moore?s moving health-care farce, ?Sicko?; ?Taxi to the Dark Side,? Alex Gibney?s look at the murder of a cab driver at Bagram Air Force Base; and ?War/Dance,? Sean Fine and Andrea Nix Fine?s film about children in a Ugandan dance competition.

Now that the documentary category seems OK, maybe the Academy can work on straightening out the foreign-language-film nomination process, which some years is fine and other years is mysterious. With all due respect to the actual nominees, this year is a mysterious one, mostly for the superb submitted films that were snubbed: ?4 Months, 3 Weeks, and 2 Days? (Romania), ?Silent Light? (Mexico), ?Secret Sunshine? (Korea), ?The Edge of Heaven? (Germany), and, from France, ?Persepolis,? which, miraculously, did make the animation cut, along with ?Ratatouille? and ?Surf?s Up.?

In any case, this year?s foreign-language-film nominees are: ?Beaufort? (Israel); ? The Counterfeiters? (Austria); ?Katyn? (Poland); ?Mongol? (Kazakhstan); and Nikita Mikhalkov?s Chechnya-bound ?12 Angry Men?-remake, ?12? (Russia).
This year?s most flagrant omission was by the music by Radiohead?s Jonny Greenwood for ?There Will Be Blood,? which probably wasn't orchestral enough for voters in the best score category. The nominees for original score are Dario Marianelli for ?Atonement,? Alberto Iglesias for ?The Kite Runner,? James Newton Howard for ?Michael Clayton,? Michael Giacchino for ?Ratatouille,? and Marco Beltrami for ?3:10 to Yuma.?

This a good year for fun Oscar history: Cate Blanchett is the first woman to be nominated for playing a man who isn?t a cross-dresser or transsexual. She?s also the second actor to be nominated two different times for the same character. (Her first-ever nomination was for 1998?s ?Elizabeth.?) Paul Newman was twice nominated for his work as Eddie Felson in ?The Hustler? and ?The Color of Money,? for which he won an Oscar. And ?No Country for Old Men? marks only the second time two people have been nominated for directing the same movie. (Warren Beatty and Buck Henry shared a nomination for 1978?s ?Heaven Can Wait.?) And at 83, first-time nominee Ruby Dee is the second-oldest nominee, after 87-year-old Gloria Stuart of ?Titanic.?

Of course, the only Academy Awards history that really matters right now is whether this will be the first year the telecast won?t go on. Will the Writers Guild of America?s strike and the actors? refusal to cross the picket line result in a canceled event? Will negotiations heat up at the last minute, meaning a postponed broadcast? Or will there just be a sad little Golden Globes-style press conference presided over by, say, Ryan Seacrest and Star Jones? Stay tuned. This could be the first year Oscar is a loser at his very own show.

Filed under: Celebrities and Controversy, Obits

Cinematical's staff would like to take a moment to share our thoughts on Heath Ledger, who passed away today after an apparent overdose.


Although Heath Ledger's best known film to date is Brokeback Mountain, my favorite of his films was Candy, in which he starred opposite fellow Australian Abbie Cornish. His performance in Candy, as an artist and heroin addict in a mutually destructive relationship with Cornish's nice middle-class girl, was so riveting and raw, and it's one of those fest films that I've thought about often since I saw it. Like most everyone who's here working Sundance, I was deeply shocked by the news of his tragic death today. He touched us through his films, and we are saddened by the loss of his life, and the films he would have made in the future. His family, especially his young daughter Matilda, will be in our thoughts and prayers.

-Kim Voynar

My original feeling about Heath Ledger -- after films like The Patriot, A Knight's Tale, and 10 Things I Hate About You -- was that he was yet another handsome and likable matinee idol ... but not much more than that. But over the last several years, I was proven wrong ... several times. My favorite performance of his was the lead role in the underrated Casanova -- and I'll be giving that film a second spin as soon as I get home from Sundance. He was a very fine actor who clearly took a lot of pride in his work, and I believe that the movie world has just lost a good soul. My heart goes out to his friends, his family, his fans, and also to the departed Heath Ledger; (If his death is ruled a suicide) I'm deeply sorry that he was so unhappy. (Regardless of the reason for the actor's death, it's a stunning tragedy.)

-Scott Weinberg

Like most young actors, Heath Ledger starred in his share of mediocre movies, yet he always appeared to take his work seriously, giving solid, professional performances regardless of the project. He knew he had to pay his dues before he got the prestige projects -- and when prestige finally arrived in the form of Brokeback Mountain, he was prepared for it. I had occasion to re-watch the last 20 minutes of that film just last week, and I was struck again by how much he does with so little. There are no tantrums or obvious "Oscar-bait" scenes. The character is reserved and unemotional; somehow, Ledger managed to convey so much about him anyway. He was a talented actor, and his death is a blow to the film community.

-Eric D. Snider

Many people finally came to respect Heath Ledger after his Oscar-nominated performance in Brokeback Mountain. But I honestly became a fan after 10 Things I Hate About You, a Shakespeare-inspired teen comedy that deserves a lot more credit than it receives. Ledger was a great actor, because he could do just about any kind of movie well. After 10 Things, he could have simply been a heartthrob. After The Patriot, a movie I guiltily admit I enjoy a lot, he could have easily gone further into action territory. And in The Brothers Grimm, he showed
us that he had a decent knack for comedy, too. Even when everybody in the blogosphere was shocked to hear he'd be playing The Joker in The Dark Knight, he proved that he had the goods to pull it off. Now his performance in the Batman sequel is one of the most eagerly anticipated of the year. After watching the recently released trailer, I even felt like he could be nominated for a second Oscar for the role. It could still happen, I guess, but it won't be as exciting without Ledger himself to accept the honor.

-Christopher Campbell

When Monika sent me an Instant Message with the news, it hit me like a claw hammer to the forehead. I knew she wouldn't joke about something like that, but, on a day of supreme cinematic reflective self-love, as the indie world obsesses over a snowy resort town in Utah, as Hollywood celebrates nominees for an award that doesn't really matter in the grand scheme of things, it's very sobering. Heath Ledger wasn't my favorite actor, but he was definitely one to watch, and the thought that his light has been extinguished at such a young age, leaving behind a young daughter ... it's so sad it makes me want to cry, and I never cry about celebrities.

-Peter Martin

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LITTLE ROCK, Ark., Jan. 22, 2008 (PRIME NEWSWIRE) -- Equity Media Holdings Corporation (Nasdaq:EMDA) announced today that Patrick Doran has been named Chief Financial Officer for the company, effective immediately. Doran, who has over 28 years of diversified financial and operational experience in major corporations, joined Equity Media in a consulting role in November.

LANGHORNE, Pa., Jan. 22, 2008 (PRIME NEWSWIRE) -- Casual games developer and publisher eGames, Inc. (Pink Sheets:EGAM) announced today that its new pet adoption game, Purrfect Pet Shop(tm) launched online on BigFishGames.com on January 18, kicking off two weeks of exclusive placement on the popular casual games portal. During the exclusive period, Big Fish Games will heavily promote the game to millions of casual game fans.

One small new development here this year is the change in the audience-award ballot. The old ballot had five ranked numbers that required you to precisely rip the number of your choice. I always had to check which number corresponded to what. Was "one" the highest of the lowest? No matter. Now the ballots are divided into four categories: "fair," "good," "better," "best." This revised format might be easier for the hard-working volunteers to tally. But what does it say about the festival's interest in real audience feedback when the ballot assumes the worst a Sundance film can be is "fair"?

So leaving "Máncora," Ricardo de Montreuil's obnoxious road movie about a depressed 21-year-old hottie, his hot stepsister, and her hot-enough husband on their way to Peru's hottest resort spot, it annoyed me to no end to settle for "fair." Of course, when the 21-year-old has stoned sex with the two party girls (both hot), the three 21-year-oldish Utahan jocks in the row in front of me were sufficiently awed. Presumably, they ripped the "best" corner.

My companion that evening wrote a much more incisive review for his blog.

Incidentally, the ballot pictured above was for Ellen Kuras's "Nerakhoon (The Betrayal)," a movie I wanted to like more than I actually did. Kuras is a terrific cinematographer. She's shot gorgeous movies for Spike Lee and Michel Gondry, and she's been working on her first film as a director for about 23 years. She made "Nerakhoon" with Thavisouk Phrasavath, whose story the film tells.

During the Vietnam War and for years before it, the CIA backed the Royal Lao military, eventually relying on it to help run the United States' long, horrifying covert bombing campaign on the country. Over 10 years, more than 200 million tons of bombs were unloaded on Laos. The country was more or less destroyed, and Thavisouk's family became one of about 750,000 Hmong refugees. Meanwhile, after America's withdrawal, the Laotian government sent his father, who fought for the Laos on the U.S.'s behalf, was sent to a concentration camp under the guise of "reeducation." Thavisouk, his mother, and brothers and sisters emigrated to New York, and the family fell apart.

Kuras essentially became a member of the family, and the movie she and Thavi have made still feels raw and choked on emotional devastation, exchanging the inherent drama of Phrasavaths' collapse for a vague, watery dreaminess, with lots of shots of Thavi and his mother grieving and lamenting to us. (It doesn't always look like a cinematographer's movie.) By the time the official premiere was over, half the audience was sobbing. I understood the empathetic tears. I got how cathartic the movie must have been for Thavi, his family, and for Kuras, too. I recognized the cruel, infrequently articulated human rights quagmire that the U.S. left Laos in. But I should have been reeling. And I wasn't.

Still, all things being relative, I tore the "good" part of my ballot.