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June 7th, 2008
Filed under: Celebrities and Controversy, War  First, let's recap: On May 21, Eugene posted about Spike Lee's continued criticism of Clint Eastwood's Flags of Our Fathers and Letters from Iwo Jima for not including African Americans. Lee was asked why Eastwood did it as he did, and I have to say, I don't blame him for responding: "If you reporters had any balls you'd ask him why. There's no way I know why he did that -- that was his vision, not mine..." Today, we got word that Eastwood has responded, with the eloquent "A guy like him should shut his face." He then went on to talk about revisionism. So, MTV went back to Lee, who is taking, and I quote: "the Obama high road." (New political slang alert! What's next?) He continued: "I've said my statement. I have no ill will towards Mr. Eastwood. What I said to him was not a personal attack, it was an observation. So that's really the end of it." Think what you will of Lee, but this whole thing is a little ridiculous. If you head back to Erik's 2007 post about Miracle at St. Anna, Lee discussed how he'd met a black veteran who fought at Iwo Jima and was disappointed in Eastwood's portrayal, and how this inspired him to make the film and pay tribute to African American soldiers. Now he's getting crap thrown at him about revisionist history, and all of this is stemming from people asking him to talk about it, and him saying he couldn't answer for Eastwood. Lee might say some controversial things sometimes, but he was really backed into a corner this time around. Permalink | Email this | Comments
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June 6th, 2008
Filed under: Celebrities and Controversy, Fandom  Here's a funny one for your Friday: Remember that MTV Movie Awards spoof featuring Ben Stiller, Robert Downey Jr. and Jack Black? If not, head here to refresh your memory. In said video, Stiller was using his two Tropic Thunder co-stars to shoot a "viral video" for the upcoming flick; one to impress his consistently bored nephew. It was a funny video, and arguably the best spoof of this year's awards show. Of course, kids everywhere wanted to share the viral video featuring three of their favorite actors making a viral video -- but the only problem is that Viacom has forced YouTube to not only remove all uploads, but also suspend the YouTube account of the person(s) who uploaded it. They've pulled the viral video they made! Looking around, the video is still available over at sites like Funny or Die, so perhaps this has more to do with Viacom's lawsuit against Google (who own YouTube) than it does pulling the video from all similar sites so that folks can only watch it on MTV. Because that would be weird ... and sorta ironic, don't ya think? Ahem. [via Matt Griswold] Permalink | Email this | Comments
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June 6th, 2008
Filed under: Comedy, Celebrities and Controversy, Movie Marketing, Trailers and Clips What Silent Bob giveth, Silent Bob taketh away... or, at least, taketh down, which is why one can no longer give the Zack and Miri Make a Porno teaser a look-see until the MPAA gives it the once-over.
The online-only teaser, while filled with writer-director's Kevin Smith expectedly raunchy dialogue, does not actually feature any footage from the finished film, but according to Smith's recent News Askew post, that is a stipulation unseen by the Ratings Board, which must approve all marketing materials for any film.
"We're now officially submitting the teaser to the MPAA for rating," said Smith. "If they approve it, we'll put it back up." He does make a point of mentioning how a mere two years ago, he posted similarly crude internet-exclusive trailers for Clerks II with nary a complaint.
Until the MPAA hands down its formal red-band (or is it yellow-band?) decree, here's a link to our initial post on the teaser's arrival last week -- a post on which the teaser just so happens to still work...
[via /Film] Permalink | Email this | Comments
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June 6th, 2008
Between deadlines, travel and wedding plans, I haven’t had the chance to blog about this first batch of summer movies, and more importantly, What We Can Learn. So before I get any further behind, let’s pick three of the most notable films to date.
(Mild spoiler warnings throughout.)
Heroes are more important than villains
Iron Man spent 85% of its storytelling energy on Tony Stark. It had the requisite set pieces, all of which were well-staged, but for an action movie it didn’t really break new ground. Where it succeeded was in creating a funny, flawed hero who propelled the story by his own ambitions. He wasn’t just responding to outside threats.
Did the villain get short-changed? Yes — to the degree that his motivations didn’t really make sense. Did it matter? Not much. In order to better establish the villain, we would have needed to spend more time away from Stark, which would have been counter-productive.
The lesson: There’s no equal-time rule for antagonists.
Leo ex machina
Price Caspian featured a terrific and surprising defeat at the movie’s mid-point, which gave me hope that the movie would transcend its kid-lit roots. But when another lengthy battle sequence also ended on the south side of success, my worst fears were confirmed: the fricken lion suddenly showed up to save them. And teach them humility. Or something.
Yes, I know: it’s a Christian parable. But that doesn’t make it any less maddening. If it weren’t based on a famous book, no screenwriter would ever get away with that ending.
The lesson: Let your heroes succeed or fail on their own merits.
Why is he doing that?
I don’t want to pile on the Indiana Jones and the Kingdom of the Crystal Skull hate-parade. But beyond the tonal issues, I was often at a loss to say why Indy was doing what he was doing. Is he trying to take the crystal skull to the cave, or keep it out of the cave? Does he think Mac is a traitor, an ally, or not really care one way or the other? (Sadly, I think the last option is probably correct.)
It’s this kind of granular motivation I’ve written about before. It’s not psychoanalysis. It’s making sure the audience understands what’s happening in any given moment, so they can anticipate what might happen next. Without this ability to anticipate, the audience is just flung around helplessly, wondering why the great Indiana Jones is just standing there watching special effects.
The lesson: Every scene, every moment, ask the question: What is my hero doing, and why? If it’s not obvious, stop and rethink it.
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June 6th, 2008
The Boston International Film Festival kicks off today at the AMC/Loews Boston Common, running through the 14th. The Globe's Ethan Gilsdorf breaks down some of the offerings. What makes the BIFF different from the Boston Film Festival, the Independent Film Festival of Boston, the Boston Underground Film Festival, and the New England Film and Video Festival? Basically this: over 100 films that have been made with love, family money, and skill, that weren't accepted into the top tier of the festival circuit (Sundance, Toronto, New York, Boston Independent, etc), and that most likely won't find the light of theatrical distribution. Doesn't mean they're bad -- on the contrary, there will be some finds here if you're willing to roll the dice and pluck one or two of the "Sessions" on the BIFF schedule. What it does mean is that there are increasingly more filmmakers in the world than there are mass distribution points; the bazaar that is the Boston International Film Festival is a welcome annual attempt to correct the situation.

But you probably just want to know if the new Adam Sandler movie is any good. Fair enough. Wesley thinks so, Tony Scott really thinks so, and I think so too. There are some of you who can't countenance the thought of Sandler in anything; fine, be off with you. There are others who'll recoil from the notion of the star and screenwriters Judd Apatow and Robert Smigel addressing events in the Middle East with a comedy about an Israeli counterterrorist who really wants to be a New York hair stylist (see photo above). You're right, it's a dreadful idea. No, "You Don't Mess with the Zohan" does not represent nuanced political discourse. But Sandler is disarmingly sweet and so's the movie's overall tone. Also: knuckleheaded, sloppy, crass, politically naive, extremely silly, and funny in any scene that does not involve Rob Schneider, a vast forcefield of humor-suck who negates any and all comedy ions simply by showing up.
As Wes notes, they should have hired more Middle Eastern actors to play Middle Easterners -- one of the smaller but richer delights of this splattery farce is actor and stand-up comic Daoud Heidami as one of Schneider's more easygoing accomplices. Like I said, you already know whether you're interested in this, but it stands as one of Sandler's better entries, precisely because it doesn't go the "Click" route and take itself seriously.
If you have young kids, you already know you're going to "Kung Fu Panda," so all I'll say is that the story is a retread that will have your brains oozing out your ears while the visuals are lush and inventive, even beautiful. Except for Jack Black and Dustin Hoffman, the all-star vocal cast (Angelina Jolie, Seth Rogen, David Cross, Jackie Chan, Lucy Liu, Ian McShane) is woefiully underutilized.
It's a weirdly martial arts/kickboxing weekend all around, though. There's Sandler's action stunts in "Zohan," the regurgitated Shaw Brothers CGI of "Panda," some real Shaw Brothers classics at the Harvard Film Archive, the low-budget North Carolina tae kwon do farce "The Foot Fist Way" at the Kendall, and the surprisingly sharp and funny "Bigger, Stronger, Faster," a documentary in which bodybuilder Chris Bell looks at America's steroid addiction through the bulging, abused muscles of his two brothers. That's at the Kendall and the Coolidge; over at the Museum of Fine Arts is what's probably the single best movie of the weekend: "Up the Yangtze," a gorgeously shot documentary (see photos below) about a few of the lives being affected by China's massive Three Gorges Dam project. I know, sounds like medicine, right? It's not -- it's transfixing, emotionally haunting stuff, and Canadian director Yung Chang is one to watch.


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June 6th, 2008
 | | Religulous - Trailer 1a The documentary RELIGULOUS follows political humorist and author Bill Maher (“Real Time With Bill Maher,” “Politically Incorrect”) as he travels around the globe interviewing people about God and religion. Known for his astute analytical skills, irreverent wit and commitment to never pulling a punch, Maher brings his characteristic honesty to an unusual spiritual journey. Directed by Larry Charles (BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN, “Curb Your Enthusiasm”), RELIGULOUS will mark Charles’ first feature project since the critically acclaimed, wildly successful BORAT. Jonah Smith and Palmer West of Thousand Words (A SCANNER DARKLY, REQUIEM FOR A DREAM) and Bill Maher are producing. Directed by: Larry Charles Starring: Bill Maher |
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June 6th, 2008
 | | Get Smart - Trailer 4 In the all-new action comedy “Get Smart,” Maxwell Smart (Steve Carell) is on a mission to thwart the latest plot for world domination by the evil crime syndicate known as KAOS. When the headquarters of U.S. spy agency Control is attacked and the identities of its agents compromised, the Chief (Alan Arkin) has no choice but to promote his ever-eager analyst Maxwell Smart, who has always dreamt of working in the field alongside stalwart superstar Agent 23 (Dwayne “The Rock” Johnson). Smart is partnered instead with the only other agent whose identity has not been compromised: the lovely-but-lethal veteran Agent 99 (Anne Hathaway). As Smart and 99 get closer to unraveling KAOS’ master plan—and each other—they discover that key KAOS operative Siegfried (Terence Stamp) and his sidekick Shtarker (Kenneth Davitian) are scheming to cash in with their network of terror. Given little field experience and even less time, Smart—armed with nothing but a few spy-tech gadgets and his unbridled enthusiasm—must defeat KAOS if he is to save the day. Directed by: Peter Segal Starring: Steve Carell, Anne Hathaway, Dwayne “The Rock” Johnson, Alan Arkin, Terrence Stamp |
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June 5th, 2008
 | | Choke - Trailer Actor-turned-director Clark Gregg shows he is as adept behind the camera as he is in front of it with CHOKE, a wickedly colorful dark comedy about mothers and sons, sexual compulsion, and the sordid underbelly of Colonial theme parks. Victor Mancini (Rockwell), a sex-addicted med-school dropout, who keeps his increasingly deranged mother, Ida (Huston), in an expensive private medical hospital by working days as a historical reenactor at a Colonial Williamsburg theme park. At night Victor runs a scam by deliberately choking in upscale restaurants to form parasitic relationships with the wealthy patrons who “save” him. When, in a rare lucid movement, Ida reveals that she has withheld the shocking truth of his father’s identity, Victor enlists the aid of his best friend, Denny (Henke) and his mother’s beautiful attending physician, Dr. Paige Marshall (Macdonald), to solve the mystery before the truth of his possibly divine parentage is lost forever. Directed by: Clark Gregg Starring: Sam Rockwell, Anjelica Huston, Kelly Macdonald, Brad William Henke, Jonah Bobo |
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June 5th, 2008
 | | Boy A - Trailer Jack has a terrible secret. He is really the notorious Boy A (Andrew Garfield) who committed a terrible crime when he was just a child. Recently released from a juvenile prison, he enters a world he has never been part of. He is haunted by his grim past, and is more a boy than a man at 24. His caseworker Terry (Peter Mullan) sees the good in him and does everything in his power to give Boy A a second chance. Boy A chooses the name Jack and is set up with a job, a home and the opportunity for a new life. At his job he forms adult relationships for the first time. He bonds with Chris (Shaun Evans) and finds a girlfriend in Michelle (Katie Lyons), both co-workers who witness Jack’s newfound compassion and loyalty. Others are drawn to his shy, kind ways. As relationships develop, he is torn between the deceit in concealing his past and the potential exoneration by revealing his crime. Jack no longer doubts his capacity to love and has more to lose than ever. He seeks Terry’s approval to confess the truth to Michelle but is implored to keep his secret for fear of his own safety. Spending 14 years in prison has done nothing to persuade the public he’s paid his dues. Accompanying his release is a widespread, media frenzy which re-ignites public indignation. The crime and trial are covered as current news and feed a hunger for revenge. Although Jack bears little resemblance to the young Boy A, it becomes increasingly clear that the past may be impossible to escape. Directed by: John Crowley Starring: Andrew Garfield, Peter Mullan, Shaun Evans, Katie Lyons |
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June 4th, 2008

If you're of a certain age -- like, old -- you may have cut your adolescent movie teeth on "Harold and Maude," the 1971 cult Hal Ashby comedy about a suicidal young man (the great Bud Cort) who falls in love with a feisty old lady (the even greater Ruth Gordon). The movie's certainly an artifact of its day, but I must have seen it 25 times back when it played the Allston Cinema for two years.
Now comes word that the film's Cat Stevens soundtrack is finally available after all these years -- on vinyl. Sort of. Per this Variety blog posting, filmmaker and "H&M" fan Cameron Crowe issued a 2,500 run of the soundtrack on his Vinyl Films imprint last December. It quickly sold out but you can find it with a simple eBay search. So if you want to sing out sing out -- and be prepared to pay up.
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