Jessica Simpson Couldn’t Be Happier for Ashlee and Pete

April 11th, 2008

Ashlee and JessicaThe day after Ashlee Simpson and Pete Wentz announced their engagement, their loved ones say they couldn’t be happier about the news.

“My sister is overflowing with joy,” says Ashlee’s older sibling, Jessica Simpson. “Pete is an incredible soul. They naturally bring out the best in each other. I couldn’t be happier.”

And their dad, Joe, weighed in from Augusta, Ga., where he is in town watching the Masters golf tournament with Jessica’s beau, Dallas Cowboys quarterback Tony Romo. He confirms that Wentz, the bassist for Fall Out Boy, asked his permission to propose to Ashlee.

“[Pete] did ask me,” says Joe. “I told him that I would be honored to have him as part of my family.”

Yesterday the newly engaged couple posted a statement on friendsorenemies.com saying, “We are thrilled to share that we are happily engaged. Thank you for all of your support and well wishes – it means the world to us. We consider this to be a very private matter, and we wanted to be the first to tell you and to hear it straight from us.”


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Jason Reitman Turned Down ‘Justice League’

April 11th, 2008

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Here's something for you Justice League fans to chew on, and wonder what might have been. Jason Reitman revealed on Howard Stern that he was offered the director's chair for Justice League Is Mortal, and turned it down. Let's hear from the man himself, thanks to Slashfilm:

"I had to sign something, they send me the script and it comes on this spy paper which cant be xeroxed. They have a time when I have to have the script back to them and the script is fine and I could be spending ... What am I going to do with Justice League of America? So, basically I'll make a movie that is not as good as X-Men, then I'll be the guy who made a movie not as good as X-Men." Later in the show, he revealed that he would have been given a budget of $150 million.

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HBO

April 10th, 2008

Sue Naegle, my TV agent, is the new president of HBO Entertainment. I’ll miss her as an agent, but I’m very excited to see what she does with the network.

Northeaster

April 10th, 2008

pierI spent five days in Maine, writing and researching my next project. A few observations, in bullet point form:

  • Part of my motivation for visiting Maine was that I’ve always claimed to have visited all 48 contiguous states, thanks to endless summer roadtrips with my family growing up. But my mom recently told me that we’d never been to Maine, which kicked in my set-completion instinct.

  • I was reluctant to try to pronounce any place names in front of people. Bar Harbor is on Mount Desert Island. “Desert” is pronounced like “dessert,” which conjures images of a fantasyland of fudge and sprinkles.

  • Even though a screenwriter isn’t trying to capture an accent per se, it’s important to choose words and patterns that can work with the accent when spoken by the actor. (”Down the road apiece. Can’t miss it.”)

  • That said, I feel lucky that this won’t be a big accent movie, because several Mainers were adamant that Hollywood always gets the accent wrong. Which is probably true. But what I resisted pointing out was that no two Mainers I met had the same accent. It’s all over the place, particularly when you talk to people under 30.

  • Going somewhere to write has become my standard operating procedure. I barricade myself somewhere without TV, internet or familial distractions, and crank through as many hand-written pages as possible in three or four days. I fax these pages back to Los Angeles, both for safety and to let my assistant type them up. This time, I faxed to an eFax account, which had the bonus of creating a digital backup in .pdf form.

  • I took a lot of photos, which you can see on Flickr. It wasn’t really location scouting — we’re not at that point yet. But since there’s already a director on board, it can give him some sense of the place.

  • One place had flies. A lot of flies.

  • Man, I was lucky not to be flying on American. Or ATA. Or SkyBus. Or Aloha. (Though the last one would have been an unlikely choice.)

  • house wrappedAnother reason for the trip: we had to have our house tented for termites. This is probably alien to readers in colder climates, but in Southern California, termites can become pervasive enough that you need to nuke the house. Generally, you do it when the house is sold (and thus empty), but we’re not moving anytime soon, so we had to bite the bullet. But it looked cool, like a Christo project.

Anthony Minghella lives on

April 10th, 2008

Christie.jpglebeouf2.jpg

This just in: the decidedly odd couple of Shia LeBoeuf and Julie Christie will appear together in a segment of the upcoming anthology film "New York, I Love You" that was penned by Anthony Minghella before his unexpected death last month. The Hollywood Reporter has the details.

Minghella was intending to direct as well; "Elizabeth" helmer Shekhar Kapur has stepped in to take his place.

Currently filming, the film's a spin-off of the recent omnibus "Paris, Je T'aime," which unloosed 18 directors (and a lot of actors) on 18 stories set in the City of Light. It's a franchise now, apparently, with entries spotlighting Shanghai, South America, and Africa to follow in due time.

The directors for the segments in "New York, I Love You" -- I do hope they've got the rights to the great LCD Soundsystem song of that name -- are an art-house dream: Mira Nair ("The Namesake"), Fatih Akin ("Head-On"), Yvan Attal ("Happily Ever After"), Andrei Zvyagintsev ("The Return"), Joshua Marston ("Maria Full of Grace"). Natalie Portman and Scarlett Johansson will both be making their directing debuts; Portman has already fallen afoul of the local Hasidic community by casting one of their own as her husband (he was pressured to quit).

The most intriguing part of the Minghella-penned segment -- in which movie legend Christie and Indiana Jones plaything LeBeouf are cast as two people who meet in a hotel that is "between worlds" -- is that someone compares it to the director's early masterpiece "Truly, Madly, Deeply." Okay, count me in.

Will Some of Heath’s Joker Scenes Be… Bagged?

April 10th, 2008

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Unlike The Imaginarium of Doctor Parnassus, Heath Ledger completed his scenes for The Dark Knight before his shocking death. But one of the first questions to pop up in the aftermath was how this would affect the film -- could viewers stomach his portrayal in the same way? It's impossible to eradicate thoughts of his death from the mind as the news continues to grow and audiences finally break through the doors to see for themselves.

However, according to Cinema Blend, there have already been screenings, and they've presented problems for the dark and sure-to-be-awesome film. One scene in particular has been bothering audiences to the point that it might be completely removed from the film.

Hit the jump to find out more, but move on if you want no details about the brief scene.

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Four Minutes – Trailer

April 10th, 2008
  Four Minutes - Trailer
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Directed by: Chris Kraus
Starring: Monica Bleibtreu, Hannah Herzsprung, Sven Pippig, Richy Müller, Jasmin Tabatabai

The Fall – Trailer

April 10th, 2008
  The Fall - Trailer
Los Angeles, circa 1920‘s, a little immigrant girl (Catinca Untaru) finds herself in a hospital recovering from a fall. She strikes up a friendship with a bedridden man (Lee Pace) who captivates her with a whimsical story that removes her far from the hospital doldrums into the exotic landscapes of her imagination. Making sure he keeps the girl interested in the story he interweaves her family and people she likes from the hospital into his tale.
Directed by: Tarsem Singh
Starring: Lee Pace, Catinca Untaru, Justine Waddell, Julian Bleach, Leo Bill

Mongol – Trailer

April 10th, 2008
  Mongol - Trailer
Award-winning Russian filmmaker Sergei Bodrov (PRISONER OF THE MOUNTAINS) illuminates the life and legend of Genghis Khan in his stunning historical epic, MONGOL. Based on leading scholarly accounts and written by Bodrov and Arif Aliyev, MONGOL delves into the dramatic and harrowing early years of the ruler who was born as Temudgin in 1162. As it follows Temudgin from his perilous childhood to the battle that sealed his destiny, the film paints a multidimensional portrait of the future conqueror, revealing him not as the evil brute of hoary stereotype, but as an inspiring, fearless and visionary leader. MONGOL shows us the making of an extraordinary man, and the foundation on which so much of his greatness rested: his relationship with his wife, Borte, his lifelong love and most trusted advisor.
Directed by: Sergei Bodrov
Starring: Tadanobu Asano, Khulan Chuluun, Honglei Sun

Film Clips: Where are the Movies Where Unattractive Women Score Hot Guys?

April 9th, 2008

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One of my favorite bloggers, Jim Emerson, gives Hollywood Elsewhere's Jeff Wells a virtual bitchslap for a recent post Wells made on his favorite topic: how he doesn't believe guys who look "normal" (i.e., to him, fat and ugly) really score with beautiful women. In a post last month titled "Eclipse of the Hunk," Wells starts off by talking about the opening of the Judd Apatow-produced Forgetting Sarah Marshall, then goes on to mourn the loss of sexy, buff leading men and the success of Judd Apatow's films, in which dorky guys like Seth Rogen and Jason Segel get the hot chicks. Emerson excerpts my favorite quote from Wells piece:

"Taking their place are guys who look like real guys, which means almost never slender or buffed, and frequently chunky, overweight or obese. And usually with roundish faces with half-hearted beard growth, hair on their backs, man-boobs with tit hairs, blemishes, and always horribly dressed -- open-collared plaid dress shirts, low-thread-count T-shirts with lame-ass slogans or promotions on the chest, long shorts and sandals (or flip-flops), monkey feet, unpedicured toenails."

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