IN THEATRES DECEMBER 21, 2007 Treasure hunter Ben Gates (Nicolas Cage) embarks on a new adventure in director Jon Turtletaub?s sequel to NATIONAL TREASURE. Ben and his father, Patrick (Jon Voight), take great pride in their ancestors and their family's devotion to the United States. When Mitch Wilkinson (Ed Harris) produces a page from the diary of Lincoln assassin John Wilkes Booth allegedly linking Ben?s great-great grandfather to the plot, Ben and Patrick set out on a path to clear their family's name. Ben also believes that the diary page contains hints to the whereabouts of a treasure map leading to an ancient city made of gold, and soon the hunt is on. Tech expert Riley Poole (Justin Bartha) and Ben?s now ex-girlfriend Abigail Chase (Diane Kruger) join the Gates in their quest, which takes them from Washington, DC, to Paris, London and the Black Hills of South Dakota. It's true that the storyline and the actions of Gates and his team--which include breaking into the Queen?s study at Buckingham Palace, sneaking into the Oval Office, and kidnapping the President of the United States--are completely unbelievable. But with a storyline built on true, interesting trivia and great locations, this film is an amusing, family-friendly romp. Cage has some great moments as Gates-- loyal, patriotic, fair to a fault, and very funny as he goads on Buckingham Palace security. Harris plays Wilkinson with just the right air of mystery and menace: is he after fortune, or does he just want to leave his own mark in history? Helen Mirren fits the bill as Ben's mother and Patrick's estranged ex-wife, Emily, a scholar and historian in her own right.

David E. Talbert makes his directorial debut with this comedy about Durell (Ice Cube) and LeeJohn (Tracy Morgan), childhood friends with a knack for getting into trouble. Despite his continual bad decisions, Durell gets one thing right: he's a good father to his adolescent son. When he learns that the boy's mother, his ex-girlfriend, Omunique (Regina Hall), needs $17,000 to buy her beauty shop or she?ll leave Baltimore and move to Atlanta, he's determined to get her the money to keep his son in his life. Meanwhile, LeeJohn needs big money fast to pay off some bad guys. Durell and LeeJohn decide that the collection plate of their local church holds the answer to their money woes. But their attempt to rob the church is foiled in progress: the money is already missing, and the would-be burglars didn?t realize there would be people at the church. Finding themselves with a group of parishioners and choir members at their mercy, Durell and LeeJohn have to make some decisions about exactly what kind of men they want to be. FIRST SUNDAY also makes a statement about the role of the church in urban areas and its importance within the community. Keith David is Deacon Randy, who has grandiose plans for moving the church to a "less urban" neighborhood. Chi McBride stars as Pastor Mitchell, and Malinda Williams is his strong-willed daughter, Tianna, who wants First Hope Community Church to stay right where it is and expand its services. Loretta Devine is Sister Doris, the parish secretary and foster mother with a heart of gold. Ice Cube and Morgan have good rapport as the bickering buddies, with Morgan?s silliness providing loads of comic relief, but Katt Williams is the scene-stealer as Rickey, the flamboyant choir director with something to say about everything and everyone.

IN THEATRES DECEMBER 14, 2007 This live-action/computer-animated update of Ross Bagdasarian's squeaky-voiced cartoon characters finds the chipmunks (in CGI form) transported from their woodland habitat to the city, where they wind up in the home of Dave Seville (Jason Lee). Dave, a down-on-his-luck songwriter, realizes the potential of a singing chipmunk pop act, and becomes an unlikely mentor/father figure to feisty Alvin, brainy Simon, and dopey Theodore. Meanwhile, the threesome causes chaos in his life, leading to plenty of fun, frenetic scenarios. When a devious record executive (David Cross) enters the picture, however, Alvin and the Chipmunks must deal with both the trappings of fame and their loyalty to the amiable, hapless Dave. Directed by Tim Hill (GARFIELD: A TALE OF TWO KITTIES), ALVIN AND THE CHIPMUNKS simultaneously modernizes and pays tribute to the classic title characters, who first appeared in the late 1950s and became wildly popular in the '60s. While Lee (MY NAME IS EARL) is well cast as the perpetually exasperated Dave, Long (LIVE FREE OR DIE HARD) steals the show as the voice of Alvin, who provides the group's lively spirit. Though some older viewers may wince at the prospect of their beloved Chipmunks rapping, the movie is generally respectful of the franchise's long legacy, and will easily win over a younger generation.

IN THEATRES JANUARY 18, 2008 Diane Keaton, Queen Latifah, and Katie Holmes star in this comedy caper about a trio of women who discover a secret that will make them rich. THELMA & LOUISE scribe Callie Khouri directs this film that also stars Ted Danson.

Robert Neville (Will Smith) is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable...and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City...and maybe the world. But he is not alone. He is surrounded by "the Infected"--victims of the plague who have mutated into carnivorous beings who can only exist in the dark and who will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the Infected lurk in the shadows, watching Neville's every move, waiting for him to make a fatal mistake. Perhaps mankind''s last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what The Infected hunt, and Neville knows he is outnumbered and quickly running out of time.

IN THEATRES DECEMBER 7, 2007 (Limited) On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate.