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Archive for July, 2008
Thursday, July 3rd, 2008

I'm way late off the dime on this, but flipping through Paul Sherman's book "Big Screen Boston" has been so much fun I just have to logroll it in this space.
You'd think that, aside from the recent flurry of Hollywood-on-the-Charles action, there wouldn't be enough Boston set and shot movies to fill a book. And you'd think wrong. Sherman, a former Boston Herald film critic and past president of the Boston Society of Film Critics, exhumes all sorts of fascinating forgotten films, like 1950's "Mystery Street" (aka "Murder at Harvard," photo above) and 1979's "Billy in the Lowlands." Of course the usual suspects are here: "The Departed" and "Boondock Saints," "Charly" and "Good Will Hunting." And 1973's "The Friends of Eddie Coyle," which Sherman rightly cites as the best Bahston movie evah. "Big Screen Boston" gets into the history and into the vast gulf between real Boston and screen Boston; he lays out everything that got left on the cutting room floor in "A Civil Action."
The Harvard documentary axis is fully represented, as are all those indie strivers making neighborhood movies that seemingly went nowhere. They went into Sherman's memory banks is where they went, and now they're between the pages of his enclusive, smartly-written book. An essential purchase for Bay State cinemaniacs, this does what all good movie books do: Makes you want to run out and see the movies.
There's a nice interview with Sherman on the New England Film website.
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Thursday, July 3rd, 2008
Filed under: Action, Thrillers, Casting, Celebrities and Controversy, Newsstand, Remakes and Sequels  Werner Herzog's Bad Lieutenant cast just became a whole lot crazier. Variety is reporting that Val Kilmer and Xzibit are joining Nicolas Cage and Eva Mendes in the much-maligned remake / re-imagining / re-something of Abel Ferrara's cult classic. Kilmer will be playing Cage's police partner, presumably the straight arrow to complement Cage's cop-on-the-edge. This comes right on the heels of Kilmer being cast in Silver Cord, so I think it's safe to say someone's trying to make a comeback. (Am I the only one who laments the passing of years, and what it has done to one of my biggest crushes? Has it really been so long since The Saint?) Xzibit, fresh off The X-Files: I Want to Believe, will be playing their nemesis, Big Fade. Remember, folks, it's a re-imagining, which is why you don't remember any of these characters from the original. If there aren't shockingly hilarious tales of egos and fistfights from the Lieutenant set, I'll be among the bitterly disappointed. While I suspect Kilmer has chilled with the passing of years, I'm thinking that combining him with Herzog is bound to be tempestuous. Is it too much to ask that Herzog just goes even further, and hires Sean Young and Gary Busey? Perhaps even Mike Myers? Throw the script out the window, and just film the production. I think it would be far more fun than any re-imagining. Permalink | Email this | Comments
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Thursday, July 3rd, 2008
Filed under: RumorMonger, Celebrities and Controversy  Apparently, Hollywood (and all watching) cheered too soon -- a representative for Rose McGowan has hit back at the reports that she has split with Robert Rodriguez, or scrapped their movies. McGowan's rep told People Magazine that "the production of all three films is moving forward with Rose to star." And one of those mysterious sources "close" to the actress insisted their relationship was fine. Now, naturally we here at Cinematical could really care less about the status of their engagement -- we just wanted to know what was going to happen to those movies. And that all depends which dubious glossy you believe -- the New York Post, who broke the story, or the damage controlling People. We all know those official statements and mysterious sources can mean nothing in six months. But even if this was all tabloid fiction, it really should serve as a wake-up call for Rodriguez and McGowan. What must it be like to turn on your television, laptop, or radio and hear people rejoicing over your break-up in the hopes that, now, Red Sonja would not be remade? They've even gone so far as to "officially" recast Barbarella with Jessica Alba on many news sites. That has to hurt. So, maybe it's time for you crazy kids to scale it back a bit. Pick one of your three love projects to make (we can give you that much), and then devote your time and talents to a movie that doesn't involve your other half. I can't really speak for McGowan, but might I humbly suggest A Dame to Kill For to Rodriguez? Permalink | Email this | Comments
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Thursday, July 3rd, 2008
 | | Blindness - Trailer 1 When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine. BLINDNESS, starring Academy Award-nominee Julianne Moore, Gael García Bernal, Mark Ruffalo, Sandra Oh and Danny Glover, is a psychological thriller about the fragility of mankind. Adapted from Nobel Laureate José Saramago’s masterwork, the film is directed by Academy Award-nominee Fernando Meirelles (“City of God”) from a screenplay by Tony Award-winner Don McKellar (“The Drowsy Chaperone”). Directed by: Fernando Meirelles Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal, Alice Braga |
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Thursday, July 3rd, 2008
 | | Frozen River - Trailer Frozen River is the story of Ray Eddy, an upstate New York trailer mom who is lured into the world of illegal immigrant smuggling when she meets a Mohawk girl who lives on a reservation that straddles the US-Canadian border. Broke after her husband takes off with the down payment for their new doublewide, Ray reluctantly teams up with Lila, a smuggler, and the two begin making runs across the frozen St. Lawrence River carrying illegal Chinese and Pakistani immigrants in the trunk of Ray’s Dodge Spirit. Directed by: Courtney Hunt Starring: Melissa Leo, Misty Upham, Charlie McDermott, Mark Boone Junior |
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Thursday, July 3rd, 2008
 | | The Wackness - Trailer 2 It’s the summer of 1994, and the streets of New York are pulsing with hip-hop and wafting with the sweet aroma of marijuana—but change is in the air. The newly-inaugurated mayor, Rudy Giuliani, is beginning to implement his anti-fun initiatives against “crimes” like noisy portable radios, graffiti and public drunkenness. Set against this backdrop, Luke Shapiro (Josh Peck) spends his last summer before college selling dope throughout New York City, trading it with his shrink (Ben Kingsley) for therapy, while crushing on his step daughter (Olivia Thirlby). Famke Janssen, Mary Kate Olsen,and Method Man round out the cast in this edgy, bittersweet, and funny coming of age story. Directed by: Jonathan Levine Starring: Ben Kingsley, Josh Peck, Olivia Thirlby, Famke Janssen, Mary-Kate Olsen |
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Wednesday, July 2nd, 2008
Filed under: Animation, Classics, Comedy, Documentary, Drama, Foreign Language, Independent, New Releases, Noir, Mystery & Suspense, Celebrities and Controversy, Fandom, Scripts, 20th Century Fox, DIY/Filmmaking, Politics, Obits, Images, Stars in Rewind  Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him. Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou (where the opening eye splicing retains its original gross-out impact) and L'Age D'Or attest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true. Continue reading Cinematical Visits MOMA's "Dali: Painting and Film" Exhibit Permalink | Email this | Comments
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Wednesday, July 2nd, 2008
In an effort to be less on-the-nose with my dialog, I sometimes avoid the dialog all together.
My overly dramatic example:
TIM
It’s up to us to fix this.
Sarah’s face: How?
TIM
We go back to where it all began.
I don’t want to make Sarah ask how. I want her face to convey the message. Have you ever put in directions for the actors like this? If so, how do you format it?
– Matt R
You can do this. I’ve seen established screenwriters do essentially the same things in their scripts. But the fact that I’ve never felt the need to do it leads me to suggest alternatives to face-writing.
The first option is the gerundic dot-dot-dot:
TIM
It’s up to us to fix this.
Answering her question before she can ask it…
TIM
We go back to where it all began.
In this case, it reads just as well without the gerund. Some writers do a double-dash:
TIM
It’s up to us to fix this.
Before she can ask —
TIM
We go back to where it all began.
Another choice is to stay in Tim’s dialog block and do it with a parenthetical:
TIM
It’s up to us to fix this.
(off her reaction)
We go back to where it all began.
And don’t discount the option of just omitting it:
TIM
It’s up to us to fix this.
CUT TO:
Sarah and Tim sweep the field with metal detectors.
There’s no right way — but that’s not to say it’s unimportant. These little choices are what form your style, and developing a narrative voice is a crucial part of your career as a writer.
When we think of a Tarantino movie, we remember his dialogue. But the experience of reading his scripts is different. They’re incredibly spare but specific. Other writers — David Koepp comes to mind — write in dense blocks packed with detail. And the scripts for Lost are known for their profanity. Every writer would handle the same basic scene differently. Figuring out how you would do it is an important part of becoming a screenwriter, so always challenge yourself to find the way that feels best.
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Wednesday, July 2nd, 2008
Filed under: RumorMonger, Celebrities and Controversy, Fandom .jpg) We usually don't report the goings-on of Hollywood relationships (be them long term or of the booty call variety), however this one is pretty epic. According to -- ugh -- the New York Post, sweethearts Rose McGowan and Robert Rodriguez are no longer together and no longer getting married (they were engaged prior to this). Why is this important news? Why should people care? Well, partly because Rodriguez was in the process of lining up a few interesting movie remakes (Barbarella, Red Sonja) with McGowan in the lead. One imagines McGowan had snagged the roles because, well, she was boinking Robert Rodriguez. But when there's no more action between the sheets, does that mean there's no more McGowan in the starring role? The Post claims their break-up was partly due to the fact that Rodriguez was having a hard time finding financing for Barbarella with McGowan in the lead because she's not a big enough box-office draw. I know some of you beg to differ because she's got the hot "I'll sleep with your man if you leave him alone for five seconds and he can put me in one of his movies" seductress thing going on, but could you seriously see a flick starring Rose McGowan bringing in at least $70 million (reported budget for Barbarella) to the box office? Personally, I can't. With Jessica Alba or Charlize Theron or Angelina Jolie? Sure. Not Rose McGowan. (Last time I checked, her ass didn't exactly ignite a box office firestorm for Grindhouse.) Should be interesting to see what develops from here. What would you like to see happen? Permalink | Email this | Comments
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