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Archive for the ‘Movie News’ Category
Monday, July 16th, 2007

"Harry Potter and the Order of the Phoenix" ruled the box office starting Wednesday and carrying all the way through Sunday. No surprise there, especially when the movie's playing on OVER 9,000 SCREENS. That's the third-widest opening of all time after the most recent "Spider-Man" and "Pirates." Fueling the mania was the buzz around the imminent drop of J.K. Rowling's final novel in the series.
Here are the "Potter" numbers: $44.2 million its opening day, a new record for a Wednesday. $140 million in tickets sold from Wednesday through Sunday, the sixth best five-day start. The weekend grosses were "small" -- $77 million -- but only because the hardcore mouthbreathers had already gone on Wednesday and Thursday. Factor in another $190 million overseas, and "Phoenix" has already hauled in a third of a billion dollars. Wouldn't it be nice if Warner Bros. put some of that to, I dunno, building some new schools or funding alternate energy programs? Oops, I forgot, under Hollywood accounting practices, the movie will never get out of the red.)
The only other new release, crummy horror movie "Captivity," barely showed its face, opening in a scant 1,000 theaters and raking in $1.5 million, doubtless from audiences who were shut out of "Harry Potter" screenings. "Transformers" and "Ratatouille" held their own passably. The excellent Don Cheadle movie "Talk to Me" did nicely in a limited 33-theater rollout, picking up an $11K per-theater-average.
More charts and analysis from Box Office Mojo and Leonard Klady.
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Monday, July 16th, 2007
Filed under: Documentary, Independent, Celebrities and Controversy, DIY/Filmmaking, Politics, Michael Moore, Cinematical Indie  As Peter noted in his weekend indie box office report, Michael Moore's SICKO is having a healthy run at the box office. I know Moore's been busy promoting the film and going after CNN and Wolf Blitzer, but I know I'm not alone in wondering what Moore's going to do next. Blog You Like a Hurricane (one of the best-named blogs ever, but thanks a LOT for getting that godawful Scorpion song stuck in my head) has been mulling this question over, and wants Moore to do a movie tackling the mainstream media. He's even encouraging people to send Moore an email asking him to go after the media in his next film. Heck, the way Moore was going after Blitzer, you gotta think he's already got tons of material to outline the basic structure of the film on a cocktail napkin right now. I'd like to see Moore go after the mainstream media folks, but there are other topics he could hit on as well. He's already hit on corporate greed ( Roger & Me), gun control ( Bowling for Columbine), the war on terror ( Fahrenheit 9/11), and now health care with SICKO. I'd like to see Moore tackle some other issues ... how about Wal-Mart's takeover of the American shopping experience? The crap they feed our kids in school lunches? Pharmaceutical companies and access to medicine by Third World countries -- and the poor in this country? The entire US education system, starting with Bush's "no child left behind" and our schools focusing more on teaching to test scores rather than actual learning? Youth sports -- kids in elite athletics and the impact that has on them? I'd really love to see Moore go after James Dobson and Focus on the Family sometime, too -- or televangelists in general with a nice expose of people living the high life by profiting off religion. I suppose Moore could also join Al Gore and Leonardo DiCaprio on the environmental stuff, but they're doing pretty well with that already, so maybe it's better for Moore to leave that alone and go after other topics. What -- or who -- do you want to see Moore turn his lens to for his next film? Permalink | Email this | Comments
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Sunday, July 15th, 2007
Filed under: Horror, Lionsgate Films, Critical Thought & Trends, Celebrities and Controversy Wow. The film that was supposed to serve as the 'alternative programming' to the Harry Potter onslaught this weekend barely opened at all. All the free press and marketing in the world, a popular young starlet, an Oscar-nominated director, and all the rest of it barely lifted Captivity to an absurd 12th place finish for the weekend, topping out at an estimated $1.5 million. Assuming these estimates hold up on Monday morning, the film did less business than Fantastic Four: Rise of the Silver Surfer, Ocean's Thirteen and several other films that have been around for weeks and weeks. It did just a tad more business than Pirates of the Caribbean: At World's End, which has been kicking around for months. In fact, it did only marginally better than Evening, the small-budget weepie featuring Claire Danes and Meryl Streep that creeped into theaters two weeks ago on a very limited platform and had practically no marketing push whatsoever. How is that even possible?
Anyway you slice it, this disasterous showing will have huge consequences for the horror genre going forward. Horror films of the 'torture porn' variety will probably not disappear from theatrical release all-together, but I bet that, going forward, the more gruesome elements of these films will be completely hidden by the marketing gurus rather than promoted. Also, films currently in production that could fall into the torture porn category, like the remake of the Wes Craven film The Last House on the Left will become a seriously tough sell. As for R-rated horror in general, the next test will be Rob Zombie's Halloween in late August. If that does well, expect the heat to cool off a bit, but in all seriousness, what is wrong with the American movie-going public? Aren't there any horror fans still out there? Am I the only one left? Permalink | Email this | Comments
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Saturday, July 14th, 2007
Filed under: Drama, Music & Musicals, Casting, Celebrities and Controversy  VH1 is claiming Elijah Kelley will play Sammy Davis Jr. in an upcoming biopic, although they might be jumping the gun. Last month, he let it slip that he was in talks to play the iconic Rat Packer, but now he's allowed to get at least a little chatty. Kelley told VH1: "It's going pretty well... Something is definitely in the works to be done on that project, and that's a dream project for me. I feel like that would open so many avenues and so many doors." If he can pull off this performance, he's probably right, but those are some big shoes to fill. Kelley went on to say: "I want to capture what actually made him what he was. He got really commercialized as he got older, [but] I just want to show everybody, along with the producers, how he came to be the way he was." That being said, there will be some cameos by Sammy's rat-pack cohorts later in the film. Dealing with the performer's youth should help the project stand up against its competitors, also fighting for the Davis Jr. spotlight -- Denzel Washington and Brian Grazer are producing Black and White, and there's another one out there, Sammy and Kim, that details his relationship with actress Kim Novak. While there is bound to be overlap -- Washington's project seems to be the all-encompassing feature to the specific bits of time for the other two -- it'll be nice to get detailed pieces of his life, rather than dueling biopics that cover the same material, like the recent Capote features. Kelley says of the competition: "I'm keeping my fingers crossed, and keeping my prayers up. You know what? It's like this: I just want to make the project a quality project. Regardless of whether there's 25 of them out, [I want to make] the one that's supposed to be seen, and supposed to be heard, and supposed to be felt." Now we've just got to wait for the project to gear up and see what they make of it. Read | Permalink | Email this | Comments
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Saturday, July 14th, 2007

The excitement over David and Victoria Beckham's arrival in Los Angeles from the U.K. is mysterious for sure. (As Victoria put it with a certain understatement, "We're not Angelina Jolie and Brad Pitt.") It is also a quaint throwback to pure glamor. (Never mind that we're now outsourcing that, too.) They don't appear to have any causes or crippling complications. So far there's no scandal, just work and that W magazine layout. He will play soccer for the Galaxy. She will play at being a Spice Girl again.
That these two are instant Hollywood royalty is like something from the 1950s or the 1960s. But it also suggests that our own stars might be to complex and calculating for this kind of straightforward adulation. Celebrity worship has now become a moral issue: Paris Hilton is only slight less hateable after prison. The Jolie-Pitts seem to be using their fame to shame us into gazing at international atrocity instead. They're jaded about us. We're jaded back.
Posh and Becks have endured their share of scandal at home. Here they're just two kids trying to make a go of it. They indulge our old-fashioned shallowness. We'll wear his jersey. Or a co-worker's kid's classmate will. But you get it: Despite their tenuous Hollywood bona fides (Beckham was conspicuously absent from "Bend it Like Beckham" and the less said about "Spice World" the better), we're rooting for them both to stay beautiful distractions and teach their new neighbors how to relax.
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Saturday, July 14th, 2007

The excitement over David and Victoria Beckham's arrival in Los Angeles from the U.K. is mysterious for sure. (As Victoria put it with a certain understatement, "We're not Angelina Jolie and Brad Pitt.") It is also a quaint throwback to pure glamor. (Never mind that we're now outsourcing that, too.) They don't appear to have any causes or crippling complications. So far there's no scandal, just work and that W magazine layout. He will play soccer for the Galaxy. She will play at being a Spice Girl again.
That these two are instant Hollywood royalty is like something from the 1950s or the 1960s. But it also suggests that our own stars might be too complex and calculating for this kind of straightforward adulation. Celebrity worship has now become a moral issue: Paris Hilton is only slight less hateable after prison. The Jolie-Pitts seem to be using their fame to shame us into gazing at international atrocity instead. They're jaded about us. We're jaded back.
Posh and Becks have endured their share of scandal at home. Here they're just two kids trying to make a go of it. They indulge our old-fashioned shallowness. We'll wear his jersey. Or a co-worker's kid's classmate will. But you get it: Despite their tenuous Hollywood bona fides (Beckham was conspicuously absent from "Bend it Like Beckham" and the less said about "Spice World" the better), America is rooting for them both to stay beautiful and keep us distracted.
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Friday, July 13th, 2007
It helped create Detroit as we know it today… that is, a very… ummm… a very dark city (link via AmRen):
The toll: 43 dead, hundreds injured, thousands arrested, more than 2,500 stores looted or burned, and 1,000 families homeless.
Ah, the good ‘ole days when oppressed blacks took to the streets to loot, burn, and […]
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Friday, July 13th, 2007
Last week, I bought a used laptop on Ubid.com for $411. It’s a Hewlett Packard DV6000, 1.8ghz, 512MB, 80GB, with DVD/CDRW & Windows XP (I purposely did not want anything with Vista.) Not a bad price. I did not have to establish my credit rating with the seller. I simply had to save $411 […]
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Friday, July 13th, 2007
In the Jukebox this week we have an eclectic mix of swell songs that I’ve recently discovered:
West Coast Pop Art Experimental Band – Obviously Bad (1966): Cool instrumental by this obscure late ‘60s band.
Donovan – Wear Your Love Like Heaven (1967): One of my favorite Donovan songs, a psychedelic gem.
Zodiac – Aries (1967): From the […]
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Friday, July 13th, 2007
Thirty years ago, on the evening of July 13, 1977, NYC experienced a huge electrical blackout for 25 hours. So, how does the NYT reflect on that evening? Why, by romantically depicting it as both good and bad, yin and yang, just like life itself.
On Monday, we asked City Room readers for their reminiscences of […]
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