The Octagon (1980)

July 7th, 2007

Octagon Chuck Norris If you are really lucky and care enough, you may find, in the void known only as the Wal-Mart Discount DVD Bin, one famous Chuck Norris film from 1980 called The Octagon. It is noteworthy not because he late Lee Van Cleef is in and is the best actor in the entire film, not because the film was the last Norris film under indie guerilla style studio Americian Cinema (which has a nice featurette on the DVD about the rise and fall of the studio), which could make an entertaining film all of itself, but rather, this is the only known film where Norris goes up against a terrorist camp run by ninjas. (more…)

Trailer – Gone Baby Gone

July 7th, 2007

Gone, Baby Gone is Ben Affleck’s directorial debut… What? Hello? Anyone still reading or have you fled in terror? Ok, here’s the good news: it’s looking very good. Based on Mystic River author Dennis Lehane’s novel of the same name, it follows two Boston detectives investigating the kidnapping of a little girl. Younger Affleck spawn Casey is holding down the main role, which marks a surprisingly dramatic turn for someone who we associate with happy-go-lucky roles such as one of the Ocean’s 11/12/13. Judging from the trailer, he seems to be playing it pretty low-key, but competently. This will make or break Casey, particularly with the heavyweight supporting cast of Morgan Freeman and Ed Harris. The film looks good; we liked Mystic River and this seems to be aiming for the same visual look and feel. One to watch, wethinks.

Trailer

Abrams speaks on ‘Cloverfield’

July 7th, 2007

Someone in the JJ Abrams pipeline has confirmed some details about the top secret ‘Cloverfield’ project.

“Abrams is very active on this one, as he plans to be on all Bad Robot projects,” he says. “The only things he’s been involved with which he hasn’t really had any creative role were What About Brian and Six Degrees — both shows that existed before Bad Robot really opened for business (meaning, when he put the team together).

“Cloverfield is an idea Abrams had over a year ago, which he then sold to Paramount. The point-of-view thing (Handicam) is the whole movie. Scenes from the trailer are in the film. Abrams got a really talented guy (Drew Goddard) to write (they’d worked together on Alias and, presently, Lost), and Matt Reeves to direct (they co-created Felicity and he’s pretty damn genius-level).

“Bad Robot and Paramount will be announcing the real title shortly.”

Source: Hollywood Elsewhere

 

Read More about Cloverfield:

Official Title for Cloverfield Revealed?

Top Secret Trailer Revealed

Cloverfield - the story so far

Maggie Gyllenhaal Talks ‘Dark Knight,’ Difficult Directors and Filming Sex Scenes

July 7th, 2007

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Any Guardian sit-down worth its salt has to include a not-so subtle evaluation of the star's interview habits, and this new one with Maggie Gyllenhaal is no exception. "She sits directly opposite me, her feet planted firmly on the floor," the interviewer tells us. "She asks for a camomile tea and coolly, in a tone that brooks no argument, requests that the assembled public relations people leave the room while we conduct the interview." After this evaluation, it's off to the races, with Gyllenhaal delving into everything from her trepidation about doing Secretary -- "in the wrong hands, in even slightly the wrong hands, even in just slightly less intelligent hands, this movie could say something really weird" -- to everything that went into her performance in Sherrybaby. She's especially frank when it comes to the movie's sex scenes. "I find those scenes hard to watch," she says. "But when I was making them, I was thinking how Sherry would be thinking: I've been in prison for three years, I want to c*me."

Gyllenhaal also owns up to some tussles with directors over the years, but she's too polite to name names. When asked about what her most difficult acting experience has been so far, she replies that she once "realized very early on in a shoot that I was at odds with the director, and I had to go through the whole shoot trying to figure out how to stay alive as an actress, when I was being squashed by the director." For the record, it wasn't Oliver Stone -- she says that she loved working with him, and describes him as being "nuts, but totally inspiring." As for the movie she's shooting right now, The Dark Knight, Gyllenhaal has nothing but praise for how she's being treated. "Doing Batman has shocked me at every turn. When I started, I thought 'Well, it's a huge movie, I'll just do my best to put what I can into it. But, in fact, they've been really hungry for my ideas, for my views. It's great! They've been asking for more!"

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When I grow up, I want to be a human pixel

July 7th, 2007

When I grow up, I want to be a human pixel

10. Evening – $3.5M

July 7th, 2007

IN THEATRES JUNE 29, 2007<br><br>Michael Cunningham (author of THE HOURS) lends his screenwriting skills to Lajos Koltai\’s EVENING. This time, Cunningham adapts a book by Susan Minot for the big screen. Vanessa Redgrave plays Ann Grant, who in her last hours retells the highlights of her life to an audience made up of her daughters, with Claire Danes playing a younger version of the protagonist.

9. Sicko – $3.6M

July 7th, 2007

IN THEATRES JUNE 22, 2007 (Limited)<br><br>America\’s most incendiary filmmaker, Michael Moore, returned in 2007 with this health-care-industry exposé. SICKO tackles material as controversial as the topics explored in Moore\’s other films, yet does so in a way that places the focus on ordinary Americans affected by the nation\’s health-care crisis. After providing some historical background on how our nation\’s medical care system became so ravaged and unfair, Moore interviews a series of individuals and families who have had their lives all but destroyed by the denial of care in the service of profit. While there are two sides to the gun-control debate and even a legitimate discourse for how to best wage the war on terror, it\’s simply impossible to justify how a baby girl can wind up dead because her mother\’s health insurance wasn\’t accepted at a nearby hospital. Moore smartly allows this and other stories to be told with little or no interference, conjuring strong feelings of empathy, rage, and deep sadness. <br><br>Of course, SICKO isn\’t a PBS documentary, it\’s a Michael Moore movie, and his fingerprints are all over it. Moore visits countries that have universal health care–spectacularly so when he takes several World Trade Center workers to Guantanamo Bay (and then to Cuba) to receive health care that they were denied in the United States–and presents a compelling argument for adopting a similar system in the States. Moore\’s ultimate purpose here is to compel Americans to care for one another, and it\’s a simple request that shockingly must be made via a major motion picture, making SICKO essential viewing.

6. Live Free or Die Hard – $7.1M

July 7th, 2007

On the July 4th holiday, an attack on the vulnerable United States infrastructure begins to shut down the entire nation. The mysterious figure behind the scheme has figured out every modern angle — but he never figured on an old-school “analog” fly in the “digital” ointment: John McClane. No mask. No cape. No problem.

5. Ratatouille – $10.9M

July 7th, 2007

A rat named Remy dreams of becoming a great French chef despite his family\’s wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gusteau. Despite the apparent dangers of being an unlikely – and certainly unwanted – visitor in the kitchen of a fine French restaurant, Remy\’s passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.

WriterAction – Why It’s Failing, And Why We Need It

July 7th, 2007

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In an ideal world, I wouldn’t have to tell you what WriterAction is. You’d just know. Either you’d be a member of the WGAw or WGAE and thus, be a member of WriterAction…or you’d be someone looking forward to the day you could join it.

Unfortunately, things haven’t quite worked out that way.

WriterAction was started by a woman named Alex Sokoloff back somewhere around 2002, shortly after the last WGA credits referendum. Alex and some of her likeminded writer friends (Clifford Green, David Hoag, Katherine Fugate, David Odell and Steve Chivers) decided that what our union was missing was any real opportunity for a collective meeting place.

Sure, there’s the “writers’ lounge” in the WGAw building, but it’s about as conducive to discussion as an operating room.

Alex and her cohorts believed that writers did want to reach out and form a real community where experiences could be shared, information gathered and debated, and maybe most of all, where union members could democratically participate in and influence their union.

On the other hand, writers didn’t necessarily want to leave their respective caves either.

And so, they created WriterAction on the web, and restricted it to WGA members only. In the beginning, it was a fairly crude site hosted with the free virtual community provider EzBoard. EzBoard pretty much sucks, but it’s free, and it served the basic purpose.

I joined it about two years after its conception.

In early 2004, I didn’t really know who was running the WGA, I didn’t know who stood for what, I didn’t know how a union worked…

In other words, I was an average Guild member.

I attended an outreach meeting on the upcoming negotiations, and the host suggested that I might enjoy WriterAction (because, I suspect, I’m an opinionated bigmouth).

I joined WriterAction on April 7th, 2004. At the time, I think there were about 80 members in total.

I loved it. In a very short while, simply by participating in that very tiny community of writers, I learned an enormous amount about how my union worked, how my fellow writers thought, and how we could actually change things for the better.

Shortly thereafter, I was asked to help administer WriterAction. And after that, I was recruited to run for the Board of the WGAw.

Everything was lovely.

Except that I haven’t posted a word on WriterAction in a half a year now.

What happened?

Well, for starters, Alex Sokoloff and I really started to hate each other. Rather than get into the personal issues there, let’s just stipulate that we had personal issues, I resigned as an admin in part over those personal issues, but I continued to post long after that.

Therefore, we can elminate that as a reason for my exit.

Was it out of boredom? Perhaps. The WriterAction community has never really expanded the way it should have. There are about 7,500 current active members in the WGAw (with another 3,500 in the WGAE, but since WriterAction continues to be a mostly-WGAw meeting place, let’s not consider them in the following equations).

Out of those 7,500 members, WriterAction currently boasts a membership list of 2,106 members.

Not bad.

Except that 1,590 of them have never posted even once. Always a bad sign.

There are 516 members that have posted at least once, but 81 of them have posted just once. There are only 284 members who have ten or most posts to their name, and only 360 members have shown up at all (to lurk or post) within the last two months.

From that, figure there’s about 350 regulars. Unfortunately, of those regulars, roughly half post at a rate of less than one post a week.

Even worse, the top 59 posters (which still include both myself and Josh Olson, neither of whom post there anymore) are responsible for a full 72% of all posts made in the whole history of the place!

In short, WriterAction really hasn’t grown significantly since the days when I found it on EzBoard.

Okay, so…why? Maybe it’s meant to be small.

No, it’s meant to be big. Its entire purpose, I think, should be in its inclusiveness.

Unlike this website, which is an extension of my will and personal philosophy, WriterAction exists to build community. You can’t build community unless you get some numbers, particularly when you’re trying to mirror a pre-existing community of 7,500 people.

At its best, WriterAction was considered a rising force in Guild politics. A number of active participants ran for the Board and were elected (including myself, Ted Elliott and Alex Sokoloff). Candidates visited the site to promote their platforms. In the Board room, people would say, “This issue is playing well on WriterAction” or “We’re getting killed over this on WriterAction.” There was a sense of accountability to the constituency for once, instead of the business-as-usual “no one’s paying any attention, so let’s just do what we what” brand of Guild politics.

And that’s all gone now.

Patric Verrone knew pretty early on that numbers are numbers. If the community doesn’t grow past 200 or 300 attentive eyeballs, it’s not going to make a real difference in the big game of Guild politics.

Mind you, the whole point of WriterAction isn’t to promote one idea over another. Rather, it’s to inform the membership, inspire the membership and hopefully hold the leadership accountable to the membership’s concerns.

A half a year ago, I stopped posting. I became fed up with the following:

  • Seeing the same faces, day after day
  • The belief of some of the admins that frequent posters were the problem, rather than the lifeblood of the place
  • The inability of the admins to bring in new frequent posters
  • The kudzu-like proliferation of forums and sub-forums
  • The buzzing mess of the general politics forums, which are completely off-message
  • The site’s technical stagnation
  • The insane way the admins disciplined problem members

Most of those are self-explanatory, save the last two.

The site’s technical stagnation is one that definitely bugs me. Denise Meyer and I (who, together, run the Artful Forum), found vBulletin and migrated WriterAction to it from EzBoard. Before we did that, poor Alex had to literally approve new members by answering individual emails to her AOL account.

While vBulletin isn’t exactly rocket science, you do have to keep up with it. There’s no reason that WriterAction shouldn’t have simple things like spell-check or the ability to embed videos. Would those things save WriterAction? No.

On the other hand, if the admins over there encouraged people to use the “warn admins” feature and then installed one of the various “warning reports” mods, they might have a better time handling the problems that crop up…and that brings me to…

…the insanity.

Every board will have problems. Even a board like WriterAction, which doesn’t accept just anyone in off the virtual street, will have its share of cranks, jerks and miscreants.

The basic WriterAction rule is “don’t engage in ad hominem attacks.”

Here’s the problem.

First, they have some whacked-out definition of ad hom, which basically changes from circumstance to circumstance.

Second, they have this weird tic where they refuse to delete offending posts. Instead, they publicly post in the thread asking you, the member, to delete your own post…or they’ll do it for you.

Huh?

And then, and here’s where they really jumped the shark, they decided that once they made a decision and implemented it, that decision could not be discussed at all.

This is just stupid. When I get into my little fights with Olson, or when a couple of commenters start going at each other, I do my thing. I delete posts if they deserve it (with special care to avoid deleting attacks on me unless they’re really out there), and if people complain, I answer back. If I don’t feel like talking about it, I just don’t.

But I don’t ban people from questioning me. That’s ridiculous.

Even worse, unlike this site, which is my own personal domain, WriterAction is supposed to be about the community of WGA members…not any one writer’s philosophy…

Ah, but there’s the rub. See, when you run a community, you inevitably start to feel like it reflects on you…and that it’s yours.

In my case, this place is mine. But does the community part…the part where other writers express themselves…does that reflect on me?

Hmmm, tough to answer. Probably not, although I have to struggle against that from time to time. I think that’s where the admins of WriterAction have gone wrong.

Well, that, and the fact that they don’t really do anything. I mean, here’s a short list of stuff they should be doing.

  • Hosting live chat events with leadership, and advertising them via email blast to all 2100 members, lurkers or not
  • Eliminating forums that are underused or redundant to other forums on the web
  • Establishing post icons for thread-starters who want that discussion to remain serious
  • Creating a forum for newbies (and limiting posting in that forum to members with fewer than 50 posts)
  • Creating a forum where disputes can be hashed out between users and admins
  • Publishing the Board minutes each month
  • Publishing the Board agenda each month
  • Creating a “featured debate” section where two members can have at each other in a civilized fashion
  • Asking each new member to bring two more WGA members to the site to increase active participation
  • Actively pursuing A-level writers, who tend to attract lots of other writers

What they should stop doing:

  • Debating every decision endlessly
  • Splashing tacky and pointless banners on forum pages
  • Intimidating users who “post too much”
  • Denying users the right to publicly question them
  • Adding forums that no one uses
  • Resisting active leadership
  • Engaging in passive leadership (e.g. meetings where they ask users to “give us ideas on how to make this a better place”)

Do I think the current administrators are up to this task? No. Not the majority of them, at least.

Do I think I am? Hell no. I’ve already done my part for WriterAction, and I have my own site to run.

No, it’s time for new blood. Not mine, not theirs.

WriterAction isn’t a personal site. It’s meant to be a mirror community for the WGA. We need it more than ever right now, as we head into elections and negotiations and possibly even a strike. We need an educated, engaged, connected membership.

And for WriterAction to become that, I think it needs new leadership. The current folks have done enough, but I think they’re tired and burnt and defensive and possessive.

The admins need to turn over the reins to some new members. They need at least one technical admin who does nothing but work the vBulletin side, and then they need about five people to handle the rest. Those people should spend their time revitalizing the site, and their only benchmark for success should be a marked increase in the number of active posters and active readers.

Anything less, and WriterAction will slowly bumble along as it does now: limited, unrealized and ineffective.