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Archive for April, 2007
Tuesday, April 24th, 2007
Tuesday April 24 3:33 PM ET
Early reviews are good, advance ticket sales are strong and two weeks before its debut, “Spider-Man 3” is grabbing headlines around the world, but director Sam Raimi is so tired he can’t think of more Spidey movies.
“I’m just exhausted, and I need to get away from it for awhile,” Raimi told Reuters in a recent interview.
The big question for this third film about the superhero with spider-like powers is whether audiences will be tired, too, when “Spidey 3” makes its global debut on May 4.
Later sequels in a series tend to face a rough time at the box office because their makers, stars and audiences are weary of the story.
The first “Batman” raked in $411 million worldwide in 1989, but the fourth, 1997’s “Batman & Robin,” posted a $238 million global haul. One notable exception is the “Lord of the Rings” films, which gained critical success and box office muscle during all three of their outings.
To combat sequel fatigue, Raimi said he infused “Spider-Man 3” with a “brand new energy” to create tension between the three main characters, Spider-Man (Tobey Maguire), his girlfriend Mary Jane Watson (Kirsten Dunst) and his best friend and sometime adversary Harry Osborn (James Franco).
Spider-Man battles new villains in the Sandman (Thomas Haden Church) and Venom (Topher Grace), and develops a new love interest, Gwen Stacy (Bryce Dallas Howard), who comes between Watson and Spidey’s alter ego, the geeky Peter Parker.
GOOD SPIDEY GONE BAD
One factor that may be as important as any of these new characters is that all-around good guy Parker lets the fame of being Spider-Man go to his head, and he risks losing the love of Watson.
“We were not going to keep remaking the same story — even though there are similar elements to all the ‘Spider-Man’ films — we’re going to continue the growth of this guy as a human being,” said Raimi, who also directed the first two installments.
For now, Raimi’s formula is working. The movie, which cost more than $250 million to make, premiered in Tokyo on April 16, screened in Los Angeles late last week and played in London on Monday. Early reviews are mostly good.
“Arachnophiles everywhere finally have cause to celebrate,” said show business newspaper Hollywood Reporter. In London, The Times said the movie “amounts to a daft, highly polished couple of hours of fantasy fun” and gave it three stars out of five.
Comic book films such as “Spider-Man” have mostly young fans who rarely heed reviews, and the third film seems to be enjoying a great deal of pent-up demand.
Earlier this week, online ticket sellers Movietickets.com and Fandango.com said advance sales were very brisk.
So Raimi should rest easy. All the hype, global premieres, early reviews and ticket sales add up to what looks like success for “Spider-Man 3” — if the movie pirates don’t strike first. Already, pirated DVDs can be bought in Beijing.
A fourth film is in development at Columbia Pictures, and while it may not be directed by Raimi — for now, he’s not saying whether he’ll return — he said he is willing to take a look.
“I think they have talked about that, and I’d love to read what they’re developing,” Raimi said.
Reuters/Nielsen
Posted in Celebrity Gossip | No Comments »
Tuesday, April 24th, 2007
This story is from Reuters. Don’t you love it when people stand their ground. . .
Borrowing a line from “Gone With the Wind,” film critic Roger Ebert is telling the paparazzi to take all the pictures they want when he appears in public after surgery that has left him temporarily disfigured.
“Frankly, my dear, I don’t give a damn,” Ebert said in a column published on Tuesday in the Chicago Sun-Times.
The Pulitzer Prize winner and co-host of the syndicated television show “Ebert & Roeper” had surgery last year for salivary gland cancer that spread to his lower jaw.
Part of his jawbone was removed, and two replacement operations have failed, he said. He is awaiting a third operation.
Ebert, 64, also had a tracheotomy that left him unable to speak. While he has written some movie reviews during recovery, his TV show has used guest critics.
This week Ebert kicks off his annual Overlooked Film Festival in Urbana, Illinois, south of Chicago. As he has for the last eight years, he will host the event.
He said people had urged him not to attend because the paparazzi would take unflattering photos and gossip columns would dish up mean-spirited comments about him.
“When I turn up in Urbana, I will be wearing a gauze bandage around my neck, and my mouth will be seen to droop. So it goes,” Ebert wrote.
“We spend too much time hiding illness. There is an assumption that I must always look the same. I hope to look better than I look now. But I’m not going to miss my festival,” he added.
Ebert said he now communicates “with written notes and a lot of hand waving and eye-rolling.” If a planned surgery is successful, “my speech will be restored.”
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Tuesday, April 24th, 2007
Filed under: RumorMonger, DIY/Filmmaking, Newsstand  When it comes to Terry Gilliam, you always have to take his word with not only a grain of salt, but sometimes the whole shaker. In an interview with The Sydney Morning Herald, the director spoke about his next project, The Imaginarium of Dr. Parnassus. The story would center on a traveling circus with the added bonus of allowing audiences to enter the mind of the shows headlining star -- It doesn't exactly take Freud to work out some of the symbolism on that one does it? As most fans know, Gilliam has had a troubled history when it comes to studios and finding financing, he says, "The cost of marketing a film is so high now that they'd rather gamble on a $US150 million [$180 million] film that they can market well than four, say, $US40 million films. Because the gamble, if it pays off, goes gangbusters. If it doesn't, you lose your shirt." Although, on the upside, at least when Don Quixote fell apart we got a documentary out of the deal. Interestingly, Gilliam says in the piece he's still keen to get Don Quixote made, despite the long and tortured history of his involvement with the project. Gilliam has a number of activities in the works, which he discusses in the piece: he will be working with the animated band Gorillaz this September on a film that will serve as the band's swan song, and he is also still holding out hope for his long-suffering adaptation of Neil Gaiman's Good Omens and there have even some vague rumblings of a return to Don Quixote with Johnny Depp back in the lead. That is quite the action-packed schedule if he can keep to it. As much as I admire his enthusiasm, you know one of these will drop by the wayside, the only question is; which one should it be? Read | Permalink | Email this | Comments
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Tuesday, April 24th, 2007
Filed under: Drama, Independent, Romance, Casting, Deals, Warner Brothers, Warner Independent Pictures, Family Films, DIY/Filmmaking, Harry Potter, Cinematical Indie .jpg) They owe him at least that much, right? Warner Independent Pictures has snapped up the Radcliffe-starring indie drama December Boys and is partnering with Village Roadshow Pictures to distribute it in September. The film, which was directed by television vet Rod Hardy and was shot last year on location in Australia and South Africa, is set in the 1960s and centers on four orphan teens who grow up in the Australian outback and learn to use magic on each other. Okay, I made up the last part. When a childless couple moves into the area where the four orphans live, they begin to compete with each other to see who can get adopted. Other cast members credited in the film are Christian Byers, Lee Cormie, Teresa Palmer, James Fraser and Jack Thompson. According to IMDB, the film is a drama, a family film, a romance, and in the end, "each boy learns something about himself and his place in the world." Variety also notes that the project was long in the making, with producer Richard Becker first optioning the book back in 1992. I'm completely unfamiliar with Radcliffe's work outside of the Harry Potter series, so I have no idea if he's a talent we'll be hearing from regularly after the Potter series takes its final bow, or if he will sort of fade into obscurity like so many child stars before him. From what I've seen of the Harry Potter films, it seems like it's Emma Watson that has the most potential to be a break-out star -- expect Warners to give her the lead in some kind of teen comedy two or three years from now, or toss her a couple of damsel-in-distress parts in an action franchise, to see if she can hold her own. Permalink | Email this | Comments
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Tuesday, April 24th, 2007
Filed under: Drama, Independent, Music & Musicals, Scripts & Screenwriting, DIY/Filmmaking, Cinematical Indie  When telling you about Jackie Earle Haley last month, I mentioned one of his upcoming films, the biopic of Charles (Buddy) Bolden called, aptly, Bolden. Now The New York Times published a piece that gives some background into this ambitious indie project. Basically, there are two features, all sibling-like. The first is the Bolden biopic, which will try to delve into Buddy's world, even though most of the details surrounding him are myth. (The jazz performer was a big draw from 1895 to 1907, but was never recorded and ended up being sent to an institution after a bout of acute alcoholic psychosis, which ended his career.) The second is an hour-long silent film called The Great Observer, about a young boy named Louis (recalling Louis Armstrong) who dreams of playing the horn, while getting entangled in New Orlean's red-light district. The pair of films are the project of Dan Pritzker, who is a billionaire's son and musician, and now, director. His plan is to debut the movies in tandem, and have the silent film play with a live performance by Wynton Marsalis. I have to say that I'm really happy and amped to see more being done with silent film, especially after how phenomenal Guy Maddin's Brand Upon the Brain! was when it was teamed with live performances. But first, Pritzker's team, which includes Derick and Steven Martini as screenwriters and Vilmos Zsigmod as the director of photography, has to get past the hurdle of piecing together the bits of Buddy's life that can be siphoned from references and oral storytelling. According to the Times, the film will imagine the musician "in the last year of his life, hearing a radio broadcast in which Artmstrong, who became the public face of New Orleans jazz, paid tribute to the music's supposed birth with Bolden." Read | Permalink | Email this | Comments
Posted in cinematical, Movie News | No Comments »
Tuesday, April 24th, 2007
 Cliffhanger endings can either make you more excited for the next installment or make you wish you not wasted eighteen hours of your life in front of the television. The cliffhanger ending of the first season had Clark leaving Chloe at the spring formal in order to save Lana from a deadly tornado. Thankfully, with the first episode, titled Vortex not only picks up where the previous season leaves off, but sets the second season of Smallville to a more dynamic direction. (more…)
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Monday, April 23rd, 2007
 There were a lot of random casting announcements today, mainly of people I haven't heard of for movies I don't care to know about. Still, here they are... (sources: Variety and The Hollywood Reporter)
Tony Curran joins the horror movie Midnight Meat Train, and writer/director John Glenn's The Heaven Project (which also stars Paul Walker).
Crispin Glover will play a vengeful ice cream vendor in the indie horror flick, The I Scream Man (which also stars Tom Sizemore, Judd Nelson and Haylie Duff). A cameo includes George A. Romero.
Patrick Ryan Anderson will play Anna Nicole Smith's son Daniel, age 15, in the Keoni Wazman-directed biopic, Anna Nicole. Are you freaking kidding me? Please tell me this is direct-to-cable.
Soren Fulton has a role in the drama, Winged Creatures. The cast includes Forest Whitaker and Jennifer Hudson, and the movie is directed by Rowan Woods.
Jessica Stroup (pictured here) and Dana Davis will have roles in the slasher/horror remake Prom Night.
Eion Bailey will star in the indie drama, Canyon, to be directed by Richard Harrah. The movie is about two honeymooners who have to fend for themselves after they lose their guide in the Grand Canyon.
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Monday, April 23rd, 2007
Jane Espenson runs a terrific blog offering advice on writing TV spec scripts. If you’re at all interested in writing for television, it’s worth checking out.
Jane’s site has two quirky aspects. First off, she consistently notes what she ate for lunch. Second, she doesn’t offer any online mechanism for reader feedback. Not only are comments turned off, but she doesn’t even provide a contact email. Instead, she lists a post office mailbox. You’re supposed to write a letter the old-fashioned-way.
That’s her prerogative, certainly. But it makes it difficult to point out simple errors she might want to correct. For instance, this post from last week:
I’m sure there are many of these out there, but tonight I’m just presenting the first documented clamshell that has captured my attention. Remember these lines?
You smell like aftershave and taco meat. (Blades of Glory)
You smell like beef and cheese. (Elf)
You smell like sweet red plums and grilled cheese sandwiches. (The Wedding Planner)
You smell like old people and soap. (Willy Wonka and the Chocolate Factory)
That last one is from my script for Charlie and the Chocolate Factory. (Willy Wonka and the Chocolate Factory is the Gene Wilder version, and doesn’t feature that line.)
A simple mistake, easily corrected. But how am I to tell her? I suppose I’ll need to write her a letter, and find a stamp with which to mail it.
This got me thinking: Since she and I probably have a significant overlap of readership, why not provide a feedback mechanism for her? So here’s what I’m going to do.
Next Monday (April 30th, 2007), I’m going to print out this post and all attached comments and mail it to Jane. So if there’s anything you’d like to ask her, or a response to something she’s written, just leave it as a comment on this post.
Remember, these comments are for Jane’s blog, not mine.
Me? I’m having Quizno’s for lunch. A mesquite chicken sandwich, no bacon.
Posted in Resources, Television | No Comments »
Sunday, April 22nd, 2007
I got tagged with the Five Things Meme, in which I’m supposed to share five pieces of information most readers probably don’t know about me. Fair enough.
I’m an Eagle scout. I can tie all my knots, splint a broken bone, and build a fire without matches. Growing up in Colorado, I also learned to dig snowcaves, gut fish and cook a delicious snipe. My troop had the Frost Point Award, which worked thusly: for every campout during the winter months, they’d bring a thermometer. For every degree below freezing it fell, you’d get a frost point. The goal was to collect 100 frost points during the winter camping season. I got the award three years straight. Yes, in retrospect, it was crazy.
Raspberries are my kryptonite. One raspberry and I’m curled in the fetal position, waiting out the abdominal pain and feeling like I’ve been poisoned. This has only been going on for a few months. I think it may related to some undercooked ostrich I ate.
I was all-state orchestra. I wasn’t a prodigy, but I was very good at clarinet through high school. Then one day I realized I was never going to be great. I was never going to do it for a living. What’s more, I didn’t really enjoy it: I kept playing because I was good. So I gave it up completely. No regrets.
I’m not the smart one in the relationship. By any metric, Mike is demonstrably smarter when it comes to math, history and languages. At a certain point, most couples divvy up responsibility for life’s chores: cooking, pet care, dealing with solicitors at the door. I have ceded all responsibility for calculation, navigation and scheduling. I have claimed baking, swimming instruction, and ripping the meat off rotisserie chicken.
I was a vegetarian for seven years. I gave up meat during a summer film program at Stanford, largely for economic reasons — pasta was cheaper. Mostly through inertia, I stayed a milk-and-egg-eating vegetarian without complaint or incident, until I started working out and found myself ravenously, deliriously craving protein. Tuna was my gateway meat, and within a year I was eating KFC. But I still don’t eat mammals.
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Friday, April 20th, 2007
I had missed the so-called ‘8 Films To Die For Festival’ last year, since the general concept was, last November, for one day in one week across the US, eight horror suspense films that ‘mainstream studios’ won’t touch because they are so demented and terrifying, or something along those lines. It was really a nice gimmick to make the films sound a bit edgy. Now that these films are out on DVD, I took a chance on one of them, Mike Mendez’ The Gravedancers, and I’m a bit baffled- why give this film such a limited screening? (more…)
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