Disfigured film critic Ebert defies paparazzi

April 24th, 2007

This story is from Reuters. Don’t you love it when people stand their ground. . .

Borrowing a line from “Gone With the Wind,” film critic Roger Ebert is telling the paparazzi to take all the pictures they want when he appears in public after surgery that has left him temporarily disfigured.

“Frankly, my dear, I don’t give a damn,” Ebert said in a column published on Tuesday in the Chicago Sun-Times.

The Pulitzer Prize winner and co-host of the syndicated television show “Ebert & Roeper” had surgery last year for salivary gland cancer that spread to his lower jaw.

Part of his jawbone was removed, and two replacement operations have failed, he said. He is awaiting a third operation.

Ebert, 64, also had a tracheotomy that left him unable to speak. While he has written some movie reviews during recovery, his TV show has used guest critics.

This week Ebert kicks off his annual Overlooked Film Festival in Urbana, Illinois, south of Chicago. As he has for the last eight years, he will host the event.

He said people had urged him not to attend because the paparazzi would take unflattering photos and gossip columns would dish up mean-spirited comments about him.

“When I turn up in Urbana, I will be wearing a gauze bandage around my neck, and my mouth will be seen to droop. So it goes,” Ebert wrote.

“We spend too much time hiding illness. There is an assumption that I must always look the same. I hope to look better than I look now. But I’m not going to miss my festival,” he added.

Ebert said he now communicates “with written notes and a lot of hand waving and eye-rolling.” If a planned surgery is successful, “my speech will be restored.”

Terry Gilliam Wants To Make ‘Imaginarium’ His Next Project

April 24th, 2007

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When it comes to Terry Gilliam, you always have to take his word with not only a grain of salt, but sometimes the whole shaker. In an interview with The Sydney Morning Herald, the director spoke about his next project, The Imaginarium of Dr. Parnassus. The story would center on a traveling circus with the added bonus of allowing audiences to enter the mind of the shows headlining star -- It doesn't exactly take Freud to work out some of the symbolism on that one does it? As most fans know, Gilliam has had a troubled history when it comes to studios and finding financing, he says, "The cost of marketing a film is so high now that they'd rather gamble on a $US150 million [$180 million] film that they can market well than four, say, $US40 million films. Because the gamble, if it pays off, goes gangbusters. If it doesn't, you lose your shirt." Although, on the upside, at least when Don Quixote fell apart we got a documentary out of the deal. Interestingly, Gilliam says in the piece he's still keen to get Don Quixote made, despite the long and tortured history of his involvement with the project.

Gilliam has a number of activities in the works, which he discusses in the piece: he will be working with the animated band Gorillaz this September on a film that will serve as the band's swan song, and he is also still holding out hope for his long-suffering adaptation of Neil Gaiman's Good Omens and there have even some vague rumblings of a return to Don Quixote with Johnny Depp back in the lead. That is quite the action-packed schedule if he can keep to it. As much as I admire his enthusiasm, you know one of these will drop by the wayside, the only question is; which one should it be?
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Warner Bros. To Distribute Daniel Radcliffe’s Indie Film

April 24th, 2007

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They owe him at least that much, right? Warner Independent Pictures has snapped up the Radcliffe-starring indie drama December Boys and is partnering with Village Roadshow Pictures to distribute it in September. The film, which was directed by television vet Rod Hardy and was shot last year on location in Australia and South Africa, is set in the 1960s and centers on four orphan teens who grow up in the Australian outback and learn to use magic on each other. Okay, I made up the last part. When a childless couple moves into the area where the four orphans live, they begin to compete with each other to see who can get adopted. Other cast members credited in the film are Christian Byers, Lee Cormie, Teresa Palmer, James Fraser and Jack Thompson. According to IMDB, the film is a drama, a family film, a romance, and in the end, "each boy learns something about himself and his place in the world."

Variety also notes that the project was long in the making, with producer Richard Becker first optioning the book back in 1992. I'm completely unfamiliar with Radcliffe's work outside of the Harry Potter series, so I have no idea if he's a talent we'll be hearing from regularly after the Potter series takes its final bow, or if he will sort of fade into obscurity like so many child stars before him. From what I've seen of the Harry Potter films, it seems like it's Emma Watson that has the most potential to be a break-out star -- expect Warners to give her the lead in some kind of teen comedy two or three years from now, or toss her a couple of damsel-in-distress parts in an action franchise, to see if she can hold her own.
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Tandem Jazz — Bolden Biopic is Part of Ambitious Indie Project

April 24th, 2007

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When telling you about Jackie Earle Haley last month, I mentioned one of his upcoming films, the biopic of Charles (Buddy) Bolden called, aptly, Bolden. Now The New York Times published a piece that gives some background into this ambitious indie project. Basically, there are two features, all sibling-like. The first is the Bolden biopic, which will try to delve into Buddy's world, even though most of the details surrounding him are myth. (The jazz performer was a big draw from 1895 to 1907, but was never recorded and ended up being sent to an institution after a bout of acute alcoholic psychosis, which ended his career.) The second is an hour-long silent film called The Great Observer, about a young boy named Louis (recalling Louis Armstrong) who dreams of playing the horn, while getting entangled in New Orlean's red-light district.

The pair of films are the project of Dan Pritzker, who is a billionaire's son and musician, and now, director. His plan is to debut the movies in tandem, and have the silent film play with a live performance by Wynton Marsalis. I have to say that I'm really happy and amped to see more being done with silent film, especially after how phenomenal Guy Maddin's Brand Upon the Brain! was when it was teamed with live performances. But first, Pritzker's team, which includes Derick and Steven Martini as screenwriters and Vilmos Zsigmod as the director of photography, has to get past the hurdle of piecing together the bits of Buddy's life that can be siphoned from references and oral storytelling. According to the Times, the film will imagine the musician "in the last year of his life, hearing a radio broadcast in which Artmstrong, who became the public face of New Orleans jazz, paid tribute to the music's supposed birth with Bolden."
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Smallville Season Two (2002–2003)

April 24th, 2007
smallville-season-2-poster.JPGCliffhanger endings can either make you more excited for the next installment or make you wish you not wasted eighteen hours of your life in front of the television. The cliffhanger ending of the first season had Clark leaving Chloe at the spring formal in order to save Lana from a deadly tornado. Thankfully, with the first episode, titled Vortex not only picks up where the previous season leaves off, but sets the second season of Smallville to a more dynamic direction. (more…)

Monday’s Movie Casting News

April 23rd, 2007
There were a lot of random casting announcements today, mainly of people I haven't heard of for movies I don't care to know about. Still, here they are... (sources: Variety and The Hollywood Reporter) Tony Curran joins the horror movie Midnight Meat Train, and writer/director John Glenn's The Heaven Project (which also stars Paul Walker). Crispin Glover will play a vengeful ice cream vendor in the indie horror flick, The I Scream Man (which also stars Tom Sizemore, Judd Nelson and Haylie Duff). A cameo includes George A. Romero. Patrick Ryan Anderson will play Anna Nicole Smith's son Daniel, age 15, in the Keoni Wazman-directed biopic, Anna Nicole. Are you freaking kidding me? Please tell me this is direct-to-cable. Soren Fulton has a role in the drama, Winged Creatures. The cast includes Forest Whitaker and Jennifer Hudson, and the movie is directed by Rowan Woods. Jessica Stroup (pictured here) and Dana Davis will have roles in the slasher/horror remake Prom Night. Eion Bailey will star in the indie drama, Canyon, to be directed by Richard Harrah. The movie is about two honeymooners who have to fend for themselves after they lose their guide in the Grand Canyon.

Comments for Jane Espenson

April 23rd, 2007

Jane Espenson runs a terrific blog offering advice on writing TV spec scripts. If you’re at all interested in writing for television, it’s worth checking out.

Jane’s site has two quirky aspects. First off, she consistently notes what she ate for lunch. Second, she doesn’t offer any online mechanism for reader feedback. Not only are comments turned off, but she doesn’t even provide a contact email. Instead, she lists a post office mailbox. You’re supposed to write a letter the old-fashioned-way.

That’s her prerogative, certainly. But it makes it difficult to point out simple errors she might want to correct. For instance, this post from last week:

I’m sure there are many of these out there, but tonight I’m just presenting the first documented clamshell that has captured my attention. Remember these lines?

You smell like aftershave and taco meat. (Blades of Glory)
You smell like beef and cheese. (Elf)
You smell like sweet red plums and grilled cheese sandwiches. (The Wedding Planner)
You smell like old people and soap. (Willy Wonka and the Chocolate Factory)

That last one is from my script for Charlie and the Chocolate Factory. (Willy Wonka and the Chocolate Factory is the Gene Wilder version, and doesn’t feature that line.)

A simple mistake, easily corrected. But how am I to tell her? I suppose I’ll need to write her a letter, and find a stamp with which to mail it.

This got me thinking: Since she and I probably have a significant overlap of readership, why not provide a feedback mechanism for her? So here’s what I’m going to do.

Next Monday (April 30th, 2007), I’m going to print out this post and all attached comments and mail it to Jane. So if there’s anything you’d like to ask her, or a response to something she’s written, just leave it as a comment on this post.

Remember, these comments are for Jane’s blog, not mine.

Me? I’m having Quizno’s for lunch. A mesquite chicken sandwich, no bacon.

Five things

April 22nd, 2007

I got tagged with the Five Things Meme, in which I’m supposed to share five pieces of information most readers probably don’t know about me. Fair enough.

  1. I’m an Eagle scout. I can tie all my knots, splint a broken bone, and build a fire without matches. Growing up in Colorado, I also learned to dig snowcaves, gut fish and cook a delicious snipe. My troop had the Frost Point Award, which worked thusly: for every campout during the winter months, they’d bring a thermometer. For every degree below freezing it fell, you’d get a frost point. The goal was to collect 100 frost points during the winter camping season. I got the award three years straight. Yes, in retrospect, it was crazy.

  2. Raspberries are my kryptonite. One raspberry and I’m curled in the fetal position, waiting out the abdominal pain and feeling like I’ve been poisoned. This has only been going on for a few months. I think it may related to some undercooked ostrich I ate.

  3. I was all-state orchestra. I wasn’t a prodigy, but I was very good at clarinet through high school. Then one day I realized I was never going to be great. I was never going to do it for a living. What’s more, I didn’t really enjoy it: I kept playing because I was good. So I gave it up completely. No regrets.

  4. I’m not the smart one in the relationship. By any metric, Mike is demonstrably smarter when it comes to math, history and languages. At a certain point, most couples divvy up responsibility for life’s chores: cooking, pet care, dealing with solicitors at the door. I have ceded all responsibility for calculation, navigation and scheduling. I have claimed baking, swimming instruction, and ripping the meat off rotisserie chicken.

  5. I was a vegetarian for seven years. I gave up meat during a summer film program at Stanford, largely for economic reasons — pasta was cheaper. Mostly through inertia, I stayed a milk-and-egg-eating vegetarian without complaint or incident, until I started working out and found myself ravenously, deliriously craving protein. Tuna was my gateway meat, and within a year I was eating KFC. But I still don’t eat mammals.

The Gravedancers (2006)

April 20th, 2007

gravedancers I had missed the so-called ‘8 Films To Die For Festival’ last year, since the general concept was, last November, for one day in one week across the US, eight horror suspense films that ‘mainstream studios’ won’t touch because they are so demented and terrifying, or something along those lines. It was really a nice gimmick to make the films sound a bit edgy. Now that these films are out on DVD, I took a chance on one of them, Mike Mendez’ The Gravedancers, and I’m a bit baffled- why give this film such a limited screening? (more…)

Catching Up On The Times

April 19th, 2007

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Nappy-headed schmo
Oh, blog, dear blog, I've been neglecting you. I'm racing toward a deadline on my script right now, so I've been keeping you at arm's length. Then, a couple of days ago, when I was thinking about posting, I gave myself a concussion (my head + underside of my son's wooden loft bed = pain and puking). But I can't stay away from you. I want to touch quickly on two topics that have been dominating the news.

First, the Virginia Tech jerk.

It's normal for everyone to navel-gaze and point fingers after something like this happens. One of the best classes I ever took in college was a course called "The Psychology of Justice." In that class, I learned about a phenomenon that is incredibly pervasive and persistent across all cultures: the Belief In A Just World. Belief in a just world often means that we deserve what we get, and we get what we deserve.

However, in cases like the Virginia Tech shooting, it's clear that the victims didn't deserve what they got. That doesn't mean Belief In A Just World goes away. Instead, the BJW theory says that great evils must have great causes.

The space shuttle doesn't blow up because a piece of rubber got cold—it blows up because of a culture of failure and the incompetence of an entire space agency and perhaps because of humanity's hubris… You know what I mean?

In this case, BJW says that video games, isolation, access to guns, non-access to guns, popular music, coarsening of culture and ultimately society itself is to blame for the tragedy at VT. Of course, the problem with BJW is that it's not true. The world is not just. Existence is not fair. Great evils sometimes happen for the most mundane reasons. The poor people who died at VT died because a mentally ill person made the insane choice to kill them. And if someone chooses to kill you, they are going to kill you, and there's nothing you can do about it. They might use guns, they might use gasoline and fertilizer, they might use poison…

…not a very comforting thought.

But that's life in an unjust, unfair world.

Of course, one can imagine Don Imus thinking to himself, "If only this asshole could have done the shooting a week earlier…I'd still have my job."

Frequent commenter Kevin Arbouet has a post up on the Imus situation. I agree 100% with Kevin that this is not a free speech issue at all. No one has the right to a radio talk show. The government didn't fire Imus. He's free to say "nappy headed-ho" all day long without fear of imprisonment or fines.

Now, when this whole thing went down, I was honestly puzzled. Imus has been saying stupid crap like that for years. So has Howard Stern. Have you heard the stuff the comedians say on the Friar's Club roasts? Hell, any four second sample of Lisa Lampanelli's act is waaaay worse than "nappy-headed ho's."

Should Imus have been fired? Yes, but years ago. For sucking. My view of this latest debacle is that it's an example par excellence of our nation's inability to discuss racial issues honestly. We have two cultures. The first culture is soaking in racial humor, racial observations, the n-word, bitches, ho's, racial suspicion, racial resentment and occasionally racial hostility. The second culture is a color-blind, multicultural rainbow coalition where no one sees race, no one ever says or thinks anything "offensive," and we all live, work and play in a bridge-of-the-Starship-Enterprise-like world of ethnic harmony.

The first culture is true. The second is a fraud. We all burble along in the first culture, until, occasionally, someone makes a stink. It's not always Jesse or Al. Sometimes it's the ADL, sometimes it's the guy from the Catholic League, sometimes it's GLAAD, sometimes it's O'Reilly yapping about the coarsening of culture. At that point, everyone suddenly pretends that the first culture is the anomaly, and the second, fraudulent culture is the reality. Somehow, we begin doing rhetorical backflips to denounce true culture as transgressive against a fictional culture that has never been and probably never will be.

But why Imus? Was Imus' "nappy-headed ho's" comment funny? No. Was it accurate? No, not even close.

The reason Imus said that comment is obvious to me: he thought he was sounding "cool." See, perversely, Imus is not part of true culture. He's out of the sphere of what is current. His attempt to be a part of that culture immediately rang false, and I think that's what caught people's attention.

If Howard Stern says, "Nappy-headed ho's," no one blinks. I guarantee it. Why? Because Howard has been manufacturing this kind of relaxed culture for years. Not Imus. When Imus tries it, it sounds tinny and fake and creepy.

Of all the stuff I've read about this affair, the best and most honest perspective is from this guy. I don't agree with everything he says in his piece (I don't have a stake in the cultural battles between black men and black women), and I think he's too hard on Cosby in particular, but when I read his essay, I thought, "Points for honesty."

When it comes to discussions of race in this country, we're in dire need of a Diogenes.